Rabu, 30 April 2014

Memory Theater, by Simon Critchley

Memory Theater, by Simon Critchley

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Memory Theater, by Simon Critchley

Memory Theater, by Simon Critchley



Memory Theater, by Simon Critchley

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From this renowned philosopher comes a debut work of fiction, at once a brilliant précis of the history of philosophy, a semiautobiographical meditation on the absurd relationship between knowledge and memory, and a very funny storyA French philosopher dies during a savage summer heat wave. Boxes carrying his unpublished papers mysteriously appear in Simon Critchley’s office. Rooting through them, Critchley discovers a brilliant text on the ancient art of memory and a cache of astrological charts predicting the deaths of various philosophers. Among them is a chart for Critchley himself, laying out in great detail the course of his life and eventual demise. While waiting for his friend’s prediction to come through, Critchley receives the missing, final box, which contains a maquette of Giulio Camillo’s sixteenth-century Venetian memory theater, a space supposed to contain the sum of all knowledge. With nothing left to hope for, Critchley devotes himself to one final project before his death—the building of a structure to house his collective memories and document the remnants of his entire life.

Memory Theater, by Simon Critchley

  • Amazon Sales Rank: #841503 in Books
  • Published on: 2015-11-17
  • Released on: 2015-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .50" w x 5.40" l, .38 pounds
  • Binding: Hardcover
  • 112 pages
Memory Theater, by Simon Critchley

Review A Publishers Weekly Best Books of 2015 A Library Journal Best Fall Debut Novel 2015"Critchley's writing is uncommonly vital. He has a keen appreciation of literature and pop culture, and his analysis can skip nimbly from Heidegger to Wallace Stevens to Johnny Rotten...Charming...a brilliant parable." —The Wall Street Journal"This strange, mesmerizing novel is hard to shake, evoking lucidity, mortality, and weirdness in equally memorable measures." —Kirkus Reviews"Utterly readable, swiftly entertaining, and at moments blackly funny, though overall there’s great poignancy in the character’s cock-eyed determination to reach his goal; not a standard narrative but within any reader’s reach." —Library Journal“A winding dive into the nature of memory—the powers we ascribe to it, and the devices we use to bulwark it . . . fascinating . . . well worth the afternoon it'll take to read—and the lingering questions it'll leave with you long afterward." —Colin Dwyer, NPR"Critchley's prose is charming, funny, and clear; his voice is strong and honest...Memory Theater is entirely readable, even for someone who is new to the philosophers, poets, and poet-philosophers Critchley invokes...[R]efreshing...Memory Theater offers an author's idiosyncratic version of the truth." —Bookforum"Profoundly intriguing . . .  a gripping tale . . . a fascinating mystery . . .  It's light on pages and extremely heavy on content. Critchley has carefully chosen each and every word, crafting one of the most compelling stories I've ever experienced."—The News-Gazette"[O]riginal, observant, and unexpectedly moving...The novel is short enough to be absorbed in a single sitting, but the questions posed by author/character Simon regarding the full ramifications of the soul’s saturation in history will linger indefinitely." —Publishers Weekly (Starred Review)"Tacks from abstract meditations on memory and thought to surreal, hilarious anecdotes involving Critchley’s bizarre life. Sample confession: ‘I couldn’t think of anything apart from death and the vague prospect of breakfast cereal.’” —Slate"Cleverly and admirably lays bare the fact that our memories are being gentrified."—Flavorwire“Simon Critchley is a figure of quite startling brilliance, and I can never begin to guess what he’ll do next, only that it is sure to sustain and nourish my appetite for his voice. His overall project may be that of returning philosophical inquiry, and “theory,” to a home in literature, yet without surrendering any of its incisive power, or ethical urgency. . . . I read Memory Theater and loved it.”  —Jonathan Lethem, author of Dissident Gardens“Memory Theater is a brilliant one-of-a-kind mind game occupying a strange frontier between philosophy, memoir, and fiction. Simon Critchley beguiles as he illuminates.” —David Mitchell, author of Cloud Atlas“Novella or essay, science fiction or memoir? Who cares. Chris Marker, Adolfo Bioy Casares, and Frances Yates would all have been proud to have written Memory Theater.” —Tom McCarthy, author of C“Remarkable…suffused with an enthusiasm for its subject, and a humor that carries the text lightly along as Critchley’s frantic prose descends toward its conclusion.” —Los Angeles Review of Books“[Critchley’s] fiction debut is rich, profound, and very funny.” —The Guardian“Teasing, economical, ingenious” —Times Literary Supplement“A strange, affecting and stimulating book that's both a philosophical history and a personal memoir. Sifting through the archives of a dead friend, Critchley takes a fascinating journey through the philosophy and history of memory, and the technologies of remembering dreamed up by thinkers since classical times.” —Hari Kunzru, author of Gods Without Men “With a sense of mischief combined with surprising reverie, Simon Critchley has braided together ideas about memory from the past with the latest thinking about unreliable narrative, altered states and the mysteries of consciousness. Memory Theater is a tantalizing, textual Moebius strip–philosophy, autobiography, and fiction twisted together.” —Marina Warner, author of Stranger Magic

About the Author Simon Critchley is Hans Jonas Professor of Philosophy at the New School for Social Research in New York. His previous books include On Humour; The Book of Dead Philosophers; How to Stop Living and Start Worrying; Impossible Objects; The Mattering of Matter (with Tom McCarthy); The Faith of the Faithless; Stay, Illusion! (with Jamieson Webster), and Bowie. He is series moderator of “The Stone,” a philosophy column in the New York Times, to which he is a frequent contributor.

Excerpt. © Reprinted by permission. All rights reserved. The idea begins with the ancient Greek poet Simonides, who was reciting a poem in a house when the ceiling collapsed. Somehow he escaped, although everybody else was crushed to death. Although the bodies of the victims were unrecognizably mangled by the gravity of the fall, Simonides was able to recall the precise places where the guests were sitting. With the association of memory with locus and location, the idea of a memory house, memory palace, or memory theater was born. The time of speech could be mastered by the spatial recollections of loci, of topoi. One would walk around in one’s memory as if in a building or, better, storehouse, inspecting the objects therein. Saint Augustine, trained as a teacher of rhetoric, even went looking for God in memory, only to discover there was “no place” where he could be found.[…] This kind of artificial memory was common in antiquity. Seneca, a teacher of rhetoric, could recite two thousand names in the order in which they had been given. Simplicius, a friend of Saint Augustine, could recite Virgil backwards. (I once met a Swede at a party in Stockholm who could sing every Swedish entry to the Eurovision Song Contest since 1958—you just said the year, 1978 say, and he would begin: “Dinga, dinga dong/ Binga, binga bong”). The striking images in a memory theater would arouse intense inner powers of visualization to aid recollection.


Memory Theater, by Simon Critchley

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4 of 5 people found the following review helpful. As Refreshing as a Dry Martini By C.D. McKoy Simon Critchley's "Memory Theater" pries open the world with the vigor of a mind uncompromised. His use of language is ingenious, erudite yet personal, as he playfully plunders the treasure-trove of Western thought to illuminate one man's longing for transcendence.Like any good philosopher, Critchley will get your intellect itching, but not provide the balm. A gem of a story.

3 of 4 people found the following review helpful. Couldn't put it down--I read it in a single-sitting. By Thomas Memory Theatre is a metaphysical thriller--somewhat in the tradition of Auster's New York City Trilogy, Murakami's Hardboiled Wonderland etc. People who love metafictional thrillers usually REALLY love them, and I would be included in this group.A basic grasp of continentally inflected metaphysics (AKA 'critical theory': Hegel, Heidigger etc.) will help you to fall in love with this book but I don't think a grounding in that theoretical terrain is necessarily a pre-requisite.Interestingly and significantly this particular metaphysical thriller is also an intimate piece of 'autobiographical fiction'--most of the people and relationships mentioned in the book are real people, many of the life-events and situations are fictionalized versions of real events and situations germane to the actual lived experience of the author, Simon Critchley etc. Like the recent, quite different but equally fascinating, 'kinetic', 'frenetic', and psychoanalytic investigation of Hamlet (Stay Illusion!), co-authored with his wife, the analyst Jamieson Webster, Memory Theatre re-alienates relatively familiar existential territories via the use of a singularly ingenious formal conceit.(NOTE: Re-alienates? Is there a better word for this? He makes strange places in human experience strange again. I'm sure that there's a word for this.)

0 of 0 people found the following review helpful. Not Dead Yet By Roger Brunyate [SPOILER ALERT: This is a book about ideas, not plot. In order to discuss it, however, I felt I had to mention the simple story line on which the ideas are hung. If you would rather not know it, don't read on.]Simon Critchley is a British philosopher now living in New York, where he teaches at the New School and writes a philosophy column for the Times. He has written numerous non-fiction books on topics from Martin Heidegger to David Bowie. This is his first work of fiction. If fiction it can be called, for much of it is a lightning history of the philosophy of memory, and in particular the idea of building a mnemonic device -- a memory theater -- which will cue the recall of its builder's entire knowledge. Before he leaves the University of Essex to go to America, Critchley is sent a number of boxes left behind by his late mentor, the French philosopher Michel Haar. [Like all the other figures in the book, including the protagonist, Haar was a real person. Critchley's deadpan note in the twelve pages of bios at the end says: "Much of what is said about him above is true. Some of it isn't."] Among Haar's boxes, Critchley finds a number of astrological charts, each using known facts about its subject to predict the place, time, and manner of his death. He is alarmed to find that Haar wrote a chart for him, with his death set to take place in Holland in June 2010. As it happens, he is offered a visiting professorship in Holland [this bit is true], so he goes there, builds a memory theater of his own, and prepares to die, at the very moment when he has the entire span of his knowledge at his fingertips."My fantasy was doubtless that I could coincide with my fate, rise up to meet it, unify freedom and necessity and extinguish myself from existence like a glorious firefly. Contingency would be abolished. It was the dream of the perfect death, the Socratic death, the philosophical death: absolute self-coincidence at the point of disappearance. Autarchy. Autonomy. Authenticity. Autism. It was a delusion of control. Death as some erection without procreation. An obsessional's garden of delights. As you can see, I am still quite the thinker at times."Obviously, he doesn't die. As you can gather from the excerpt above, the whole thing is both intellectually serious and tongue-in-cheek. Were I anything other than a philosophical illiterate, I would probably love it; as it is, I was briefly fascinated and mildly amused, but perhaps I was reading it at the wrong time. By happenstance -- I picked this up at the library some weeks ago without knowing what it was about -- I read it directly after another book that pulls intellectual ideas out of the hat with the panache of a conjurer: SUDDEN DEATH by Álvaro Enrigue. Were they speakers rather than writers, you might think of Enrigue as someone you would buy tickets to go and see, Critchley as someone who would be interesting to meet at a dinner party, even if you didn't understand all that he said. As I certainly didn't. But it was a very short book, and I don't feel my time has been wasted.

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Selasa, 29 April 2014

Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court In fact, publication is really a home window to the world. Also many individuals might not like reading books; guides will certainly consistently give the precise information regarding fact, fiction, encounter, journey, politic, religious beliefs, as well as much more. We are here a website that gives compilations of books more than the book shop. Why? We offer you lots of varieties of link to get the book Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court On is as you require this Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court You can find this publication conveniently right here.

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Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

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Since he published The Myth of Mental Illness in 1961, professor of psychiatry Thomas Szasz has been the scourge of the psychiatric establishment. In dozens of books and articles, he has argued passionately and knowledgeably against compulsory commitment of the mentally ill, against the war on drugs, against the insanity defense in criminal trials, against the "diseasing" of voluntary humanpractices such as addiction and homosexual behavior, against the drugging of schoolchildren with Ritalin, and for the right to suicide. Most controversial of all has been his denial that "mental illness" is a literal disease, treatable by medical practitioners.In Szasz Under Fire, psychologists, psychiatrists, and other leading experts who disagree with Szasz on specific issues explain the reasons, with no holds barred, and Szasz replies cogently and pungently to each of them. Topics debated include the nature of mental illness, the right to suicide, the insanity defense, the use and abuse of drugs, and the responsibilities of psychiatrists and therapists. These exchanges are preceded by Szasz's autobiography and followed by a bibliography of his works.

Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

  • Amazon Sales Rank: #2023419 in eBooks
  • Published on: 2015-11-05
  • Released on: 2015-11-05
  • Format: Kindle eBook
Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

From The New England Journal of Medicine Thomas Szasz was the enfant terrible of 20th-century American psychiatry. His 1961 book, The Myth of Mental Illness (New York, Paul B. Hoeber), and his searing intellect and take-no-prisoners rhetorical style defined the terms of the discourse. Szasz under Fire consists of 12 essays by critics, Szasz's replies to each, and a brief autobiographical sketch. The essays are uneven; Szasz is more interesting than his critics, and, right or wrong, he always wins the debate. The book provides a deja vu experience and stimulates reflection on what we were arguing about then, why it seemed so important, and how we think about it today. (Figure) Szasz was born in Budapest in 1920, and although he spoke almost no English, he emigrated to the United States in 1938. He ranked first in his medical school class, but he didn't really want to practice medicine. As he put it, "My true passion was literature, history, philosophy, politics -- or, put more plainly, how and why people live, suffer, and die." After a year of medical residency, he shifted to psychiatry in order to "be eligible for training in psychoanalysis, not to practice psychiatry." He sought a platform from which to attack "the immoral practices of civil commitment and the insanity defense." This book, some 60 years later, continues that attack. Szasz's psychiatric residency was unusual. He never worked on an inpatient unit, and when his chairman suggested that he should have experience with "seriously ill patients," he quit the program. Szasz makes clear that his views about mental illness, involuntary treatment, and the insanity defense were well established before his exposure to psychiatry, psychoanalysis, or even medicine and that he was unusually successful at avoiding any experience that might have been relevant to them. Szasz's views are entirely ideological; they have nothing to do with empirical data and are therefore immune to arguments on the basis of data; they are premises, not conclusions. Szasz's central thesis is that "disease" means an abnormality of the body, and since doctors treat bodies, there may be brain diseases but not mental diseases. Corollaries are that involuntary treatment of mental disease violates fundamental liberties, that mental disease should not be considered in assessing criminal responsibility, and that physicians should have no privileged role in the prescription of drugs or in assisted suicide. Several of his critics argue with his definition of disease. They point out that diseases happen to people, not bodies, and review the evidence that brain diseases underlie major psychiatric disorders. These arguments have no effect on Szasz, although they are probably the chief reason that his position seems so out of date. Szasz also seems out of step with contemporary practice. He states that "the typical mental patient . . . is hospitalized and treated without his consent" (which has not been true since years before Szasz's residency) and that there has been little progress in the diagnosis and treatment of mental illness (an assertion that would receive little support). For me, the underlying issue is Szasz's view of psychiatric patients as competent, autonomous adults who are different and who must be protected from a society that wants to infringe on their rights and uses that difference as a justification. It is an important perspective, and one that touches on fundamental values of our society, but tragically, it is less relevant to the seriously mentally ill than to almost anyone else. An alternative view -- that people with mental illness are childlike, helpless, and in need of our care and protection -- has little appeal to him. He even seems to question the view's premise; he speaks of the child's relationship to his parents as one based on domination and submission and argues that psychiatry rests on "a coercive pediatric model characterized by relations of domination and subjection." If one starts with the view that parenting is domination and pediatrics is coercive, the conclusion is that psychiatry is evil. In this book Szasz is called "the most influential ideologist of the `new' antipsychiatry of the 1960s and 1970s" and "a powerful intellectual ally of the civil liberties movement." He forced a sometimes reluctant profession to attend to the moral and ethical dimensions of its work, and though he is largely wrong, his arguments have been immensely valuable. Robert Michels, M.D.Copyright © 2005 Massachusetts Medical Society. All rights reserved. The New England Journal of Medicine is a registered trademark of the MMS.

Review "One cannot help but be drawn into it." -- JAMA Vol. 293 No. 2, January 12, 2005Schaler brings together psychologists, psychiatrists, and others who critique Szasz followed by Szasz's replies to each. -- Law & Social Inquiry, Book Notes, Vol. 30, No. 2Stimulating and informative. -- CHOICE, April 2005

From the Publisher The Under Fire(TM) Series General Editor: Jeffrey A. Schaler

VOLUME 1 Szasz Under Fire: The Psychiatric Abolitionist Faces His Critics

IN PREPARATION: Howard Gardner Under Fire Peter Singer Under Fire


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30 of 35 people found the following review helpful. High Level Dialogue By E James LIEBERMAN A dozen thoughtful writers chosen by editor Jeffrey Schaler address Thomas Szasz, M.D. (author of "The Myth of Mental Illness" and many other books). Szasz then responds to these critics (and has the last word). It is like a series of book reviews with the author answering. An excellent idea, well-executed, on a controversial and important thinker. Full disclosure: I am one of the critics.

4 of 4 people found the following review helpful. SZASZ RESPONDS DIRECTLY TO A WIDE VARIETY OF HIS CRITICS By Steven H Propp Psychologist and editor Jeffrey Schaler wrote in the Introduction to this 2004 book, "'Szasz Under Fire' is the first in a series of ... books which will confront controversial writers with their intellectual critics. Szasz is particularly suited to this project because of his unusually polarizing influence. Szasz's writings have provoked both extraordinary praise and extraordinary denunciation. Critics have been invited both on their knowledgeability and their strong disagreement with Szasz." (Pg. xxii)Schaler further notes, "Though Szasz has been called an 'anti-psychiatrist,' he rejects the label... Szasz is against coercion, not 'psychiatry between consenting adults.' ... The state has no business inside a person's head, according to Szasz... Szasz has also been a practicing psychotherapist. When practicing psychotherapy, Szasz claims that he is not doing what 'mental health professionals' usually claim to be doing. As Szasz prefers to describe it, he is having conversations with people about their problems." (Pg. xiv)One commentator admits, "Dr. Szasz is perfectly justified ... in drawing attention to the fact that psychiatry does differ from all other branches of medicine... in the sense that most of the disorders it recognises are still defined by their syndromes; and that at a time when psychiatrists are claiming to recognize an ever widening range of mental disorders, this leaves them vulnerable to accusations of unjustified medicalization of deviant behavior and the vicissitudes of everyday life.'" (Pg. 33)Szasz replies ot one critic, "My motives for engaging in a systematic criticism of psychiatry were primarily moral and political, and secondarily epistemological and medical. I wanted to show that psychiatry's two paradigmatic procedures---conventionally called 'mental hospitalization' and the 'insanity defense'---are moral wrongs as well as violations of the political principles of the free society based on the rule of law." (Pg. 159) To another critic, he says, "The Therapeutic Staet is not ruled by psychiatrists. It is ruled by politicians imbued with the faith of medicine (therapy), much as the Theological Statem, examplified by Saudi Arabia, is ruled by politicians imbued with the faith of religion (Islam). In the United States, the Therapeutic State is ruled by a coalition composed of politicians... and their wives... the American Medical Association, the state medical associations, and the various health lobbies; the public health establishment... and the mental health lobby." (Pg. 173-174)He responds to Stanton Peele [author of books such as Diseasing of America: How We Allowed Recovery Zealots and the Treatment Industry to Convince Us We Are Out of Control, etc.], "Peele sees the addict as a helpless victim. I see him as a capable moral agent, sometimes doing and enjoying what he wants to do and annoying others in the process; sometimes victimizing himself or others by his behavior... I ask, if people SUFFER from addiction and mental illness, why don't they seek treatment for these drug alleged diseases? Addicts spend money, sometimes a lot of money, on drugs. Why don't they spend the money on drug addiction treatment?" (Pg. 196-197)This book is "must reading" for anyone interested in Szasz, the psychiatric survivors' movement, the Mad Pride movement, or similar areas.

18 of 26 people found the following review helpful. Szasz is the new Galileo By A Reader Think back about 400 years and imagine a hypothetical situation. Re-image historical events so that several representatives from the Catholic Church publicly and affably question Galileo Galilei despite their dismay at the impact of his views. In turn, Galileo then treats his critics with the same or at least parallel affability. Now consider modern day psychology rather than the start of modern solar mechanics, and there you have it--this book.Approximately 5 out of 6 Szasz critics whose writings appear in this book are affable.In its twelve chapters, there are a couple outliers.

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Szasz Under Fire: A Psychiatric Abolitionist Faces His Critics (Under Fire Series)From Open Court

Kamis, 24 April 2014

Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

Fantasia Of The Unconscious, By D. H. Lawrence, David Herbert Lawrence How can you change your mind to be a lot more open? There many resources that could assist you to improve your ideas. It can be from the other experiences and also tale from some individuals. Book Fantasia Of The Unconscious, By D. H. Lawrence, David Herbert Lawrence is one of the relied on resources to get. You can locate so many books that we discuss right here in this website. And now, we reveal you among the most effective, the Fantasia Of The Unconscious, By D. H. Lawrence, David Herbert Lawrence

Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence



Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

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I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no "scholar" of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his "Golden Bough," and even Freud and Frobenius. Even then I only remember hints--and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm.

Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

  • Published on: 2015-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .23" w x 8.50" l, .57 pounds
  • Binding: Paperback
  • 100 pages
Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

About the Author David Ellis is the author of Lawrence's Non-Fiction: Art, Thought and Genre and Wordsworth, Freud and the Spots of Time. He has been commissioned to write Volume HI of the New Cambridge biography of Lawrence.


Fantasia of the Unconscious, by D. H. Lawrence, David Herbert Lawrence

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3 of 3 people found the following review helpful. Author-on-Author By FJNanic Unbelievable!One of the best books ever written is FREE, given only one star, and a review called STRANGE...Well, I'll quote just one part of it:"Let us beware of artificially stimulating his self-consciousness and his so-called imagination. All that we do is to pervert the child into a ghastly state of self-consciousness, making him affectedly try to show off as we wish him to show off. The moment the least little trace of self-consciousness enters in a child, good-bye to everything except falsity.Much better just pound away at the A B C and simple arithmetic and so on. The modern methods do make children sharp, give them a sort of slick finesse, but it is the beginning of the mischief. It ends in the great "unrest" of a nervous, hysterical proletariat. Begin to teach a child of five to "understand." To understand the sun and moon and daisy and the secrets of procreation, bless your soul. Understanding all the way. And when the child is twenty he'll have a hysterical understanding of his own invested grievance, and there is an end of him. Understanding is the devil."No wonder the world, as we know it, has gone mad...

1 of 1 people found the following review helpful. Worth the read... By An amazon customer I like Eckhart Tolle better, but the classics have a quaintness and charm about them...

0 of 1 people found the following review helpful. Got this spam review request... By Larry Barton I do not appreciate spam review requests from amazon, I do not ever remember seeing this book, if I did, it was of no interest and was discarded. Span requests are not welcome in my mailbox. If it happens again, it will get one star.

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The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

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The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

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An Unexpected FamilyAmish midwife Anne Stoltzfus is used to late-night visitors—but she's shocked to find reclusive bachelor Joseph Lapp on her doorstep with a baby in his arms. Their neighborly quarrels are pushed aside when Joseph explains that his sister has left her daughter in his care—and Joseph needs Anne to be her nanny. Soon they're bonding over baby Leah, and the love they feel for her is healing them both. When Joseph makes an offer of marriage, Anne's painful past resurfaces and she's unsure of what to do. But taking a chance could mean love—and family—are waiting just across the fence. Lancaster Courtships: Life and love in Amish country Collect all 3 books in the series! The Amish Bride by Emma Miller The Amish Mother by Rebecca Kertz The Amish Midwife by Patricia Davids

The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

  • Amazon Sales Rank: #132124 in eBooks
  • Published on: 2015-11-01
  • Released on: 2015-11-01
  • Format: Kindle eBook
The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

About the Author  USA Today best-selling author Patricia Davids was born and raised in Kansas. After forty years as an NICU nurse, Pat switched careers to become an inspirational writer. She enjoys spending time with her daughter and grandchildren, traveling and playing with her dogs, who think fetch should be a twenty-four hour a day game. When not on the road or throwing a ball, Pat is happily dreaming up new stories. 

Excerpt. © Reprinted by permission. All rights reserved. "You miserable alt gayse. Oh, no, you don't. Not again!" Anne Stoltzfus shot to her feet when she spotted the intruder working his way under the fence beyond her red barn. She stepped closer to the kitchen window. He was almost through."What's wrong?" Roxann Shield remained seated at Anne's kitchen table, her eyes wide with concern."It's Joseph Lapp's old goat. He's getting into my garden. I'm not going to lose the last of my precious tomatoes or another prized pumpkin to that thief."Anne dashed out into the cool morning. Flying down the steps, she raced toward the rickety fence separating her garden plots from her cantankerous neighbor's farm, yelling as she ran. "Out! Get out of there!"Her nemesis was halfway under the fence when she reached him. Armed with only a kitchen towel, she flew into battle, flapping her weapon in the black-and-brown billy goat's face. The culprit tried to retreat, but his curved horns snagged in the sagging wire. The more he struggled to escape her attack, the more tangled he became. He bleated his misery as loud as he could.Anne stopped flapping when she recognized his dilemma. He couldn't go forward and he couldn't go back. She rested her hands on her hips as she scowled at him. She heard laughter behind her. Looking over her shoulder, she saw Roxann doubled over with mirth on her front steps.Anne turned her attention back to the goat. "I should leave you here. It would serve you right to spend the night with your head stuck in the fence."Feeling sorry for the goat was the last thing she wanted to do, but he did appear miserable sprawled on his belly with his head cocked at an awkward angle. His eyes were wide with fear and his mouth hung open. She looked about for his owner, but Joseph Lapp was nowhere to be seen. Of course he wasn't. Trust her neighbor to be absent when his animal was misbehaving. That was usually the case.How many times had his goats managed to get in her garden and eat her crops? More than she cared to count. More than she could afford to lose. Each time she drove them out, she bit her tongue to keep from telling Joseph Lapp exactly what she thought of his smelly horde. Her Amish faith required that she forgive grievances, but enough was enough. If the man didn't repair his fences soon, she was going to have a word with Bishop Andy about Joseph's poor stewardship. She didn't want to cause trouble, but she was tired of being on the losing end of the situation.However satisfying a conversation with the bishop might be, it didn't solve her current problem. The goat continued bleating pitifully. A number of other goats looked over their pens to see what was going on. Anne waited for Joseph to appear, but he didn't. She studied the billy goat for a long moment."If you are to be free, I reckon I'll have to do it. Remember this kindness and stay out of my garden.""Be careful," Roxann called out.Crouching in front of the goat, Anne put her hand on his head and pushed down so she could untangle his horns. She wrinkled her nose at his stench. Why did he smell so bad? If she had a garden hose handy, she would bathe him before she let him up. Maybe that would deter him from visiting next time. He struggled harder but she was only able to unhook one horn. "Hold still, you wicked animal."Suddenly, the goat surged forward. His second horn popped free and he made a break for it, barreling into Anne. The impact toppled her backward into her precious tomato plants. Although it was mid-October, the vines still bore huge red fruit, the very last of the summer's bounty and a sure cash crop at her produce stand. She sat in openmouthed shock as the feeling of squished tomatoes beneath her soaked through her dress. So much for a goat's gratitude.She shook her fist at him. "You miserable, ungrateful beast!""Do you need a hand?"The mildly amused voice came from the far side of the fence. Joseph Lapp stood with his arms crossed on his chest and one hand cupped over his mouth.He was a tall, brawny man with wide shoulders and muscular arms. A straw hat pulled low on his brow covered his light blond hair. The wide brim cast a shadow across his gray eyes, but she knew he was laughing at her. Again. They rarely shared a conversation, but he was always finding some amusement at her expense. Did he enjoy seeing her suffer?She scrambled to her feet. "I don't need a hand. I need you to keep your goats out of my garden. Unless you keep them in, I'm going to complain to the bishop."Joseph walked to the gate between their properties a few yards away and opened it. "Do what you must. Chester, koom"The billy goat snatched a mouthful of pumpkin leaves and trotted toward the gate. He walked placidly through the opening, but Anne saw the gleam in his beady black eyes when he looked over his shoulder at her. He would be back. Well, she wouldn't be so kind to him next time. It wouldn't be a kitchen towel. She'd find a stout stick.Joseph closed and latched the gate. "I will pay for the tomatoes. Just throw the ruined ones over the fence."She brushed off her stained maroon dress and glared at him. "I'm not going to reward that mangy animal with my fresh tomatoes, even if they are ruined. He'll only come back wanting more.""Suit yourself. If I can't have them, I won't pay for them.""Are you serious?" Her mouth dropped open in shock. She took a step toward him and planted her bare foot in another tomato. The pulp oozed between her toes."You sat on them. Chester didn't." Joseph turned to walk away.Furious, Anne plucked the closest whole tomato and threw it with all her might. It hit Joseph squarely between the shoulder blades, splattering in a bright red blob where his suspenders crossed his white shirt.Horrified, she pressed her hands to her mouth. She had actually hit the man.Joseph flexed his shoulders. Bits of broken tomato dropped to the ground. Chester jumped on the treats and gobbled them up. Joseph turned to glare at Anne.She didn't wait to hear what he had to say. She fled to the house as fast as her shaky legs could carry her. She dashed past Roxann and stopped in the center of her kitchen with her hands pressed to her cheeks."What a great throw." Roxann came in, still chuckling. "Did you see the look on his face?""In all the years I played baseball as a kinner, no one wanted me on their team. I couldn't hit the broad side of the barn when I threw a ball. But today I struck my neighbor.""You didn't hurt him with a tomato.""You don't understand." How could she? Roxann was Englisch. She didn't have to live by the strict rules of Anne's Amish faith.Roxann stopped giggling. "Will you get into trouble for it? I know the Amish practice nonviolence, but you weren't trying to hurt him.""I struck him in anger. That is not permitted. Ever. If Joseph goes to the bishop or to the church elders, it will be cause for a scandal. I'm so ashamed."Roxann slipped her arm over Anne's shoulder. "I'm sure Mr. Lapp will forgive you. You are only human. Put it out of your mind and let's finish these reports. You and the other Amish midwives are doing a wonderful job. Your statistics will help me show the administration at my hospital that our outreach education program is paying off. Our funding is running out soon. If we're going to continue educating midwives and the public, we have to prove the benefits outweigh the cost."Roxann, a nurse-midwife and educator, was determined to improve relations between the medical community and the Amish midwives, who were considered by some doctors to be unskilled and untrained. It was far from the truth.Anne allowed her mentor and friend to lead her back to the table and resume the review of Anne's cases for the year. Glancing out the kitchen window, Anne looked for Joseph, but he wasn't in sight. She nibbled on her bottom lip. Was he going to make trouble for her?A full harvest moon, a bright orange ball the color of Anne's pumpkins, was creeping over the hills to the east. The sight made Joseph smile as he closed the barn door after finishing his evening milking. It had been two days since the tomato incident, but he still found himself chuckling at the look on Anne's face when she'd realized what she'd done. From shock to horror to mortification, her expressive features had displayed it all. She might be an annoying little woman, but she did provide him with some entertainment. Especially where his goats were concerned. Her plump cheeks would flush bright red and her green-gray eyes would flash with green fire when she chased his animals. She was no match against their nimbleness, but that didn't keep her from trying.Goats enjoyed getting out of their pens. Some of them were masters of the skill. Was it his fault that the best forage around was in her garden plot?It wasn't his intention to make life harder for the woman. He planned to mend his fence, but there simply weren't enough hours in the day. Now that the harvest was done, his corn cribs were full and his hay was safe in the barn, he would find time to make the needed repairs. Tomorrow for sure.He was halfway to the house when the lights of a car swung off the road and into his lane. He stopped in midstride. Who could that be? He wasn't expecting anyone. Certainly not one of the Englisch.Most likely, it was someone who had taken a wrong turn on the winding rural Pennsylvania road looking for his neighbor's place. It happened often enough to be irritating. His farm was remote and few cars traveled this way until Anne Stoltzfus had opened her produce stand. Now, with her large hand-painted sign out by the main highway and an arrow pointing this direction, he sometimes saw a line of cars on the road heading to buy her fresh-picked corn, squash and now pumpkins. Since the beginning of October, it seemed every Englisch in the countssy wanted to buy pumpkins from her. He would be glad when she closed for the winter.He didn't resent that Anne earned a living working the soil in addition to being a midwife. He respected her for that. He just didn't like people. Some folks called him a recluse. It didn't matter what they called him as long as they left him alone. He cherished the peace and quiet of his small farm with only his animals for company, but that peace was broken now by the crunching of car tires rolling over his gravel drive. From the barn behind him, he heard several of his goats bleating in curiosity.Whoever these people were, they should know better than to come shopping at an Amish farm after dark. Anne's stand would be closed until morning. The car rolled to a stop a few feet from him. He raised his hand to block the glare of the headlights. He heard the car door open, but he couldn't see anything. "Hello, brooder!'His heart soared with joy at the sound of that familiar and beloved voice. "Fannie?" "Ja."His little sister had come home at last. He had prayed for this day for three long years. Prayed every night before he laid his tired body down. She was never far from his thoughts. Still blinded by the lights, he took a step forward. He wanted to hug her, to make sure she was real and not some dream. "I can't believe it's you. Gott be praised.""It's me, right enough, Joe. Johnny, turn off the lights."Something in the tone of her voice made Joseph stop. Johnny, whoever he was, did as she asked. Joseph blinked in the sudden darkness. He wanted so badly to hear her say she was home for good. "I knew you would come back. I knew when your rumspringa ended, you would give up the Englisch life and return. Your heart is Amish. You don't belong in the outside world. You belong here.""I haven't come back to stay, Joe." The regret in her voice cut his joy to shreds. He heard a baby start to cry.After few seconds, his eyes adjusted and he could make out Fannie standing beside the open door of the vehicle. The light from inside the car didn't reveal his Amish sister. Instead, he saw an Englisch girl with short spiky hair, wearing a tight T-shirt and a short denim skirt. He might have passed her on the street without recognizing her, so different did she look. No Amish woman would be seen in such immodest clothes. It was then he realized she held a baby in her arms.What was going on?He had raised Fannie alone after their parents and his fiancée were killed in a buggy and pickup crash. He'd taken care of her from the time she was six years old until she disappeared a week after she turned sixteen, leaving only a note to say she wanted an Englisch life. For months afterward, he'd waited for her to return and wondered what he had done wrong. How had he failed her so badly? It had to be his fault.It was hard to speak for the tightness that formed in his throat. "If you aren't staying, then why are you here?"The driver, a young man with black hair and a shiny ring in the side of his nose, leaned toward the open passenger-side door. "Come on, Fannie, we don't have all night. Get this over with.""Shut up, Johnny. You aren't helping." She took a few steps closer to Joseph. "I need your help, brooder. There's no one else I can turn to."Were those tears on her face? "What help can I give you? I don't have money.""I don't want your money. I… T want you to meet someone. This is my daughter. Your niece. Her name is Leah. I named her after our mother.""You have a bubbel?" Joseph reeled in shock. He still thought of his sister as a little girl skipping off to school or playing on their backyard swing, not someone old enough to be a mother. He gestured toward the car with a jerk of his head. "Is this man your husband?""We're not married yet, but we will be soon," she said in a rush."Soon?" Had she come to invite him to the wedding?"Ja. As soon as Johnny gets this great job he has waiting for him in New York. He's a musician and I'm a singer. He has an audition with a big-time group. It could be our lucky break. Just what I need to get my career going."


The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

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1 of 1 people found the following review helpful. Great read By Kav I love a good goat herding romance. Yes, you heard me right -- it stems from my first literary crush -- Peter in Heidi (I was ten). So even though Joseph is a bit of a recluse and socially challenged he won my heart because of the goats. How can you not love a hero who takes the time to name an entire herd of goats? And the animals clearly adore him. Anne, not so much. At first. Though they put their differences aside when Joseph becomes sole caregiver of his infant niece. Loved Anne's independent spirit -- capable midwife with a garden produce business on the side. She's constantly surprising Joseph and it isn't long before he's smitten. Their love story isn't without complications though. Heartache and laughter blend together to make this an endearing Amish romance. *This is the third book in a multi-authored series -- Lancaster Courtships. It reads beautifully as a standalone though we do get glimpses of characters from the previous two books which I really enjoyed.

0 of 0 people found the following review helpful. Be apart of the book!! By Tina Watson Patricia Davids did excellent research for her book, "The Amish Midwife", the third and final book in the series of Lancaster Courtships. I have to say that "The Amish Midwife" has to be my favorite out of all three books in the series.Single, Amish midwife Anne Stoltzfus has lived three years in the small village of Honeysuckle. She lives next door to Joseph Lapp, who's goats can't seem to stay in their fence, but instead love to eat Anne's garden. Anne grows her garden to make extra money besides being a midwife in her area of Lancaster County.Bachelor Amish Goat Farmer Joseph Lapp loves being with his goats more than being around his church community members. But he is their for church members when there is a need and his lending hands are needed. Joseph has had his share of hard life at an early age, he became responsible for his sister, Fannie, when she was six years old, their parents lives were taken during a tragic accident along with his girlfriend.Fannie Lapp has been out among the Englische for about three years now, writing to Joseph here and there. Sudden she returns to Honeysuckle needing his help, but not telling him the whole truth.Will Joseph help his sister?Can Anne learn to love goats?Does the church help Joseph or will they turn their backs again?Can wounds finally heal?Will Fannie turn her life around?What an exciting, interesting, and a different spin on Amish romance that Patricia Davids has written for us, readers. I felt like I was on the edge of my seat the whole time as I was reading "The Amish Midwife". Patricia Davids has added enough detail to make her book come together and flow fluently; that you are not missing anything as you read "The Amish Midwife. And you learn something too or at least I did. I look forward to reading more book by Patricia Davids in the future.All three authors did an excellent job of making sure each other had the information of the characters used and details used in the series, that nothing would be off in their books individually.I received a free copy of this book through NetGalley for an honest review. No money was exchanged. This is my honest review in my own words.

0 of 0 people found the following review helpful. Enjoyable Read By Faye Anne Stoltzfus is midwife and an avid gardener who sells her produce at a roadside stand. So when the neighbor's goat get's into her garden, she is mre than a bit upset.Joseph Lapp knows very little about babies, but he agrees nonetheless to take in his baby niece, Lucy. But running the goat farm and raising his young niece is taking it's toll and he needs help, so he asks his neighbor, Anne for help.Will Anne and Joseph be a good team or will his rogue goats strain their friendship?I loved this story and how Anne and Joseph work together despite their differences and Joseph's mischievous goats. Anne is hesitant to help Joseph because she is afraid that she will become too attached to Leah. But she wants to help.Joseph is hardworking and really likes his job and raising goats, he know them all by name. He appreciates Anne, and all that she is doing to help him, as well as her compassion and caring for her patients.Overall, this is an enjoyable read, full of faith, and humor along the way. I really liked the dialog and thought that it fit perfectly with the characters and situation. Sweet and funny at times this is a great read for fans of Amish fiction and romance.Disclosure of Material Connection: I received one or more of the products or services mentioned above for free in the hope that I would mention it on my blog. Regardless, I only recommend products or services I use personally and believe will be good for my readers. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and testimonials in Advertising."

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The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids
The Amish Midwife (Lancaster Courtships Book 3), by Patricia Davids

Senin, 21 April 2014

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.),

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

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Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley



Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

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Mark Twain wrote: "Humor is mankind's greatest blessing." Consider yourself blessed a thousand-fold with the new compilation Great American Humor by Gerd de Ley. Great American Humor collects 1000 wise and witty jokes, clever sayings and smart one-liners from well-known American humorists, actors, comedians, politicians, and personalities into a terrific volume guaranteed to generate laughs. Great American Humor features quips and quotes from well-known figures such as Mark Twain, Steve Martin, Bette Midler, Milton Berle, Ellen DeGeneres, Rodney Dangerfield, Robin Williams, Mae West, Mitch Hedberg, Joan Rivers, George Carlin, and the list goes on. Carefully researched and culled for maximum guffaws, Great American Humor captures the unique spirit of American wit and features more than enough jokes, puns and riddles to have everyone laughing.

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

  • Amazon Sales Rank: #672889 in Books
  • Published on: 2015-11-24
  • Released on: 2015-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.41" h x .89" w x 4.96" l, .55 pounds
  • Binding: Hardcover
  • 224 pages
Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

About the Author Gerd de Ley is a former English teacher and has been a professional writer and actor since 1975. From an early age, Gerd has been an avid collector of quotations and proverbs from all over the world.


Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

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1 of 1 people found the following review helpful. Wise and witty. Full of fun. 5-stars! By Angel6129 Wise and witty. Full of fun. This is a great book to have around when you need a laugh. The author has put together a thoughtful collection of jokes, one-liners and more from the greatest American humorists.

0 of 0 people found the following review helpful. Funny for your money By Arthur Minor Very funny book. My stepson loved it

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Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley
Great American Humor: 1000 Funny Jokes, Clever One-Liners & Witty Sayings (Little Book. Big Idea.), by Gerd De Ley

Sabtu, 19 April 2014

Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

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Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman



Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

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When Jessica Drake learned that her DNA didn't match that of her parents, she had no idea that the search for her heritage would put her family's lives in danger, or force her to cross into another world. In an alternate Earth dominated by individuals with unnatural powers called Gifts, Jessica learned that there was a curse within her blood, one so feared that all who possessed it were destroyed on sight. For she was a Dreamwalker, and the same dark Gift that would allow her to enter the dreams of others would eventually destroy her mind and spread insanity to all those around her.Now she is back with her family, but there is no peace to be found. Her childhood home has been destroyed, her mother's mind is irreparably damaged, and the Gift of the Dreamwalkers is beginning to manifest in her in terrifying ways.When a stranger invades her dreams and creatures from her nightmares threaten to cross into the waking universe, Jessica knows she must return to the alternate Earth where she was born and seek allies... even if doing so means she must bargain with those she fears the most.Dreamseeker is the gripping sequel to C.S. Friedman's Dreamwalker.

Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

  • Amazon Sales Rank: #1143875 in Books
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x 1.13" w x 6.25" l, 1.39 pounds
  • Binding: Hardcover
  • 336 pages
Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

Review Praise for Dreamwalker: "The fast pace and younger protagonist will make this an obvious crossover book for YA readers, appealing...to those teens (and adults) who enjoy Cassandra Clare." —Library Journal "Friedman skillfully blends science fiction and fantasy elements, tying them together with fairy tales and solid worldbuilding." —Publisher's Weekly "Friedman does many things well in this novel, and her experience as an engaging storyteller is on full display.... Friedman shows that her writing and storytelling abilities are strong, regardless of what type of story she’s telling." —Tor.com  "Dreamwalker is nerve-twisting and fascinating. Siblings Jesse and Tommy are tangled in a murderous genetic bait-and-switch that transcends worlds and time.... Waiting for the next book will be tough!" —Tamora Pierce "[C.S. Friedman] writes bright, clear prose that can shine like gemstones or cut like broken glass. If you haven’t read her work you need to do something about that right now." —Tad Williams "Once again, CS Friedman shows us strong characters and innovative magic that transcend genre. Dreamwalker is a satisfying read for long-time fans, but will also serve to showcase her work to a whole new generation." —Peter V. Brett "This is more mature, more serious, and a bit darker than I’m used to young adult books being, but that’s also a huge reason why I loved it.... This might be the first young adult book I’ve ever read that absolutely captivated me." —Bookworm Blues Praise for Friedman: "While everyone is taking about Joe Abercrombie, Brandon Sanderson, Patrick Rothfuss, and many others, C. S. Friedman wrote one of the very best—and perhaps the best—fantasy series of the new millennium." —Pat's Fantasy Hotlist

About the Author An acknowledged master of Dark Fantasy, Celia Friedman is a John W. Campbell award finalist, and the author of the highly acclaimed Coldfire Trilogy, New York Times Notable Book of the Year This Alien Shore, In Conquest Born, The Madness Season, The Wilding and The Magister Trilogy.  Ms. Friedman worked for twenty years as a professional costume designer, but retired from that career in 1996 to focus on her writing. She lives in Virginia, and can be contacted via her website, www.csfriedman.com.

Excerpt. © Reprinted by permission. All rights reserved.

Novels by C.S. Friedman

Title Page

Copyright

Dedication

Acknowledgments

PROLOGUE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

EPILOGUE

PROLOGUE

VICTORIA FOREST

VIRGINIA PRIME

SEBASTIAN HAYES

BACKLIT BY A BLAZING ORANGE SUNSET, the floating rabbit was an eerie sight. The dappled forest shadows made the snare almost invisible, so that it looked as if the small body was levitating of its own accord, and as it swayed back and forth in the breeze it appeared more ghostly than real.

With a quick and practiced motion, the wanderer known as the Green Man freed the dead rabbit and tucked it into his game pouch. Then he reset his snare.

It was Sebastian’s third catch of the night. All had been young animals, without much meat on their bones, but that was to be expected this time of year. Summer’s offspring were so busy exulting in their new existence that they rarely saw the snare’s fine line strung across their path. The older ones tended to be more circumspect.

With a sigh he settled the strap of the game pouch on his shoulder, ready to return home. The pressure of the thick leather band across his chest conjured an unexpected sensory memory, from a time when the pouch at his hip had contained not freshly killed meat, but black powder cartridges arranged in neat rows. He remembered how their newsprint wrappings had tasted as he used his teeth to tear them open, spitting out bits of blackened paper as he fed explosive powder into the mouth of his musket. A ravenous beast, that weapon. Always wanting more.

Memories from another world, another time.

The hike back to his new base camp was a long one, and by the time he reached it the sunlight was nearly gone.

I should have gone to Shadowcrest with them, he thought.

Not a night passed that he didn’t think about the three young people from his homeworld, or regret that he had sent them to face the Shadows alone. Yes, it had seemed the logical choice to make at the time—the only rational choice, one might argue—but that didn’t make it any easier to accept. Once, long ago, he had failed to protect his own child, and she had died as a result. Now these young people had needed him, and he had abandoned them.

I was a prisoner in Shadowcrest once, he reminded himself. There are wards all over the place that no doubt are still attuned to my presence. Had I remained with Jessica and her friends, I would have triggered those alarms. The only chance they had to sneak past the Shadows’ security was to go in without me.

Such a thing might indeed be true. But guilt was a visceral torment, not so easily banished.

What happened to the teens from Terra Colonna after he had parted company with them? He knew that the Blue Ridge Gate had been destroyed—even the Shadows couldn’t keep something that big a secret—but his informants had been unable to bring him any specifics on the matter. Had Jessica and her friends made it back to their own world, or remained trapped in this one? Or worse yet, had they become lost in that place between the worlds that all sane men feared? He might have been trapped in that nightmare realm himself, had he tried to cross over with them.

As he approached his camp the trees began to thin out, and the dirt beneath his feet gave way to patches of naked stone, windswept and lifeless. From here he could see the opening of the crevice he now called home, a deep black gash in the mountainside. The cave that he’d located halfway up one of its walls wasn’t the most luxurious shelter, but these days caution trumped comfort. He didn’t think the Colonnans would tell anyone about him, but the local boy they’d been travelling with was a wild card. And if Jessica and her friends were taken prisoner, their willingness to talk would cease to be a significant factor. Both the Seers and the Domitors had the means of squeezing secrets from a human mind, and if the Shadows decided to question the teens, their methods did not bear thinking about.

He had almost been at the receiving end of those methods, once.

Almost.

What was the name of the local boy who’d been travelling with them? Isaac? So pale, that one. So haunted. The edge in the boy’s voice when he’d asked Sebastian about a murdered Shadowlord had been unmistakable, but what exactly was Isaac’s connection to that secretive Guild? Clearly he was not a Shadow himself: no one born to that Guild would have been allowed to wander the world without supervision as he was doing. But his family might have business ties to a Shadowlord, or perhaps some sort of political alliance, that gave Isaac a vested interest in the undead. So did he seek out the Shadows after he left Sebastian, and tell them what he’d learned about the Green Man? Did he tell them that the possible murderer of a Shadowlord was hiding out in Victoria Forest, and might be located by following the trail of dead vegetation he left in his wake?

It wasn’t the truth, exactly. But Sebastian doubted that would matter to the Shadowlords.

I should have killed the boy when I had the chance, he thought. But even in the midst of war he’d had no stomach for killing innocents, and the boy had done nothing to harm him. Not to mention Isaac had helped the three Colonnans escape from the Warrens, so that Sebastian could meet them. That deserved a better answer than death.

I saved his life as well as theirs, he reminded himself. Hopefully that will earn his silence.

There were just too many variables in play. Even for a man who thrived on mysteries, it was an uncomfortable situation. So he had broken camp after they left and moved to a place that was naturally barren, where his curse would not give him away. It was a desolate, unpleasant location, but its inherent lifelessness would mask his presence.

Maybe I should leave this forest altogether.

How long had he been here, anyway? Ten years? More? True, Victoria Forest was only a base of operations—his endless search for information kept him constantly on the move—but there was danger in remaining anywhere too long. Maybe it was time to move on.

Suddenly he saw something on the ground ahead of him, a mark imprinted in a narrow strip of soil. The fading sunlight made it hard to see, so he had to squat down low to be able to make out its details.

A paw print. Wolf sign.

Larger than any natural paw print should be.

He drew out his knife and quickly rose to his feet—but it was already too late. Something massive burst from the forest with unnatural speed and barreled into him from behind, sending him crashing to the ground. Only by thrusting both hands out in front of him could he keep from smashing his head into bare rock, but in doing that he lost hold of his knife. Now he had only his hands, his wits, and a thick leather coat to protect him from the beast’s assault.

He could feel the great wolf’s jaws closing around his neck, trying to crush his windpipe, and he barely managed to evade them; dagger-like teeth pierced the heavy collar of his coat, coming within a hair’s breadth of tearing out a chunk of his neck. The beast jerked back with a growl of rage, ready to try again. But this time Sebastian was ready. He twisted around and elbowed it on the side of its head, hard enough to stun it for a second, then managed to reach out and grab his knife: long and sharp and tempered in the blood of bears and mountain lions and men, it had never failed him.

Now they both were armed.

The wolf lunged for his throat again but he twisted lithely out of its way, and all it got this time was a mouthful of coat lapel. It jerked its head back and forth wildly, tearing at the garment as if it was raw flesh. Sebastian’s fettered brooches broke loose and flew in every direction while he thrust at the creature, aiming for its gut, but the wolf’s wild movements skewed his aim, and he sliced into its shoulder instead. As the beast’s hot blood splattered everywhere Sebastian yanked his blade free, bracing himself for the next attack.

Then he looked into the wolf’s eyes, sensed the cold human intelligence behind them, and he knew that this was more than a simple attack.

He stabbed at the animal again, but instead of renewing its attack the wolf backed away, leaving Sebastian’s blade to slice through empty air. He had misjudged the thing: it didn’t want to kill him, only force him to the ground and scatter his protective fetters beyond reach. Dark figures rushed in from all sides—four? six? eight?—and though they were human in shape they were bestial in their ferocity. Sebastian struggled to get to his feet before they had a chance to engage him, but there was no time. No time. The fetters that might have helped him escape glittered on the ground surrounding them, reflecting the last of the sunlight in tiny points of fire. Even the nearest ones were hopelessly out of reach.

The ambush had been well planned.

Ingrained reflexes took over as the shadowy figures fell upon him. He moved automatically, channeling combat instinct from his soldiering days, kicking out sideways to sweep the legs of the first man out from under him. Then another assailant moved in and Sebastian rolled deftly away from him, grabbing the arm of a third who was swinging a weapon at his head. He used that man’s own momentum to yank him off his feet and send him sprawling to the ground. He tried to send him straight into one of the other attackers, but he wasn’t as agile as he had been in his youth—nor as strong—and the maneuver fell short. Then some kind of impact weapon struck him from behind, between his shoulder blades, and for a moment the whole world was awash in crimson. Half blinded from pain, he kicked out wildly in the direction the blow had come from, hoping to drive his attacker back just long enough for him to recover his bearings.

But there were just too many of them, and now that they had him surrounded even a soldier in his prime would have been hard pressed to prevail against such numbers. And he was not that, by a long shot. Usually he had fetters to bolster his strength or sharpen his reflexes, but they were out of reach, and though he fought with the ferocity of a cornered animal, he knew that a single hunting knife was not enough to save him.

He was going to die tonight. After so many years of tempting fate, of walking a tightrope between treacherous patrons and powerful enemies, his time had finally come. A terrible sadness filled his heart, but also determination. Very well. If these were the men who would remove the Green Man from Terra Prime, he’d give them scars to remember him by. Maybe even take one or two of them out before he died.

But then something struck him on the side of the head with numbing force, and the world began to spin wildly about him. Vomit surged into his throat and he swallowed it back with effort, knowing that surrendering to sickness meant surrendering to death. And he wasn’t ready to die yet.

Blackness was closing in from the corners of his vision, and a terrible keening sound filled his ears, drowning out the ruckus of combat. He shook his head to clear it, and instantly regretted the move. Spears of pain shot through his skull. The world was growing darker each second.

Drawing in one final breath, he braced himself for the death blow that was sure to come.

But then hands grabbed him by the upper arms and hauled him to his feet. Someone jerked his knife from his hand, and he was helpless to stop them. Spears of agony lanced through his shoulders as his arms were pulled roughly behind his back, but the pain was a strangely distant thing, as if it belonged to someone else. His wrists were being bound behind his back. A stranger’s wrists.

These men hadn’t come to kill him. Whoever had sent them here wanted the Green Man taken alive.

It was his last thought as darkness claimed him.

Light. Too much light. It made his eyes hurt.

But pain was good. Pain meant that he was still alive.

He squinted, trying to bring the world into focus. His head throbbed, as did his neck, his chest, and every other part of his body. But it wasn’t the kind of sharp pain one would expect from shattered bones and torn flesh. That pain was gone; this was only its memory.

Someone must have healed him.

Slowly his surroundings came into focus. He was in a small room, dimly lit by a single glow lamp; once his eyes adjusted he found it a comfortable illumination. He was lying on some kind of bed or couch, and there were two people standing over him, armed men dressed in uniforms he didn’t recognize. Had they been among those who attacked him in the woods? He tried to move, and discovered to his relief that he wasn’t bound. As he sat up, the guards made no effort to restrain him.

He discovered he’d been lying on an opulent couch, deep crimson velvet with coordinated brocade pillows. The room looked like some kind of study, with bookcases and a desk of dark wood, polished to a glassy shine. He was hardly ungrateful to find himself in such benign surroundings, but where in God’s name was he? Who would assault him in the woods like that, then heal him and bring him here? It made no sense.

A door at the far end of the room suddenly opened. The woman who entered was dressed entirely in white; in the dim room she seemed to give off a light of her own.

“Leave us,” she said to the soldiers.

They seemed surprised by the command, and one began to protest, “But your Ladyship—”

“Leave us.”

Her tone allowed for no argument. They bowed in unison and left without a word.

The woman in white looked at Sebastian. “Do you know who I am?”

He could guess her identity from descriptions he’d heard, though he’d never seen her in person. “Lady Alia Morgana, Guildmistress of Seers.” It was rumored she was more than that—much more—but even hinting at such knowledge was likely to get him killed. There were secrets he was sure she would kill to protect.

She nodded. “And you are Sebastian Hayes, who served as a private in the Ninth Virginia Regiment during the Colonial Insurrection.” A cold, dry smile curled her lips. “Do I have it right?”

He couldn’t remember a time when he’d shared that much of his background with anyone. The Shadows knew, of course, as they knew every other detail of his history. But Sebastian understood enough about how the Guilds functioned to know that any cooperation between the Shadows and the Seers was strictly superficial; at best they were fierce rivals to one another, and at worst, something much darker. He couldn’t think of any reason why the Shadows would share his personal information with Morgana.

Which meant she’d discovered it on her own.

Impressive.

“We called it the War of Independence, but otherwise you have it right.” America had never won its independence in this world.

“Do you know why you’re here, Private Hayes?”

“I presume you ordered your men to bring me in.”

Her pale eyes glittered. They were mostly grey, he noted, the color of fog, smoky crystal, the sky before a storm. Subtle blues and greens played in their depths as she moved. “Ah, but those were not my men who attacked you.”

“Whose, then?”

“Think, Private Hayes. Whose authority have you repeatedly defied? Who might have reason to suspect that you played a part in the death of one of their leaders?”

There was no safe way to respond to that, so he said nothing.

“Apparently the Shadows heard rumor that you assassinated one of their own. It’s easier for them to interrogate a bound spirit than a living man, so no doubt that’s what Lord Virilian intended. However, you’re of more use to me alive than dead—for now—so I’m forced to disappoint him.” She paused “You understand, it’s no small thing for me to frustrate the plans of such a powerful man. I would expect my efforts to be . . . appreciated.”

For a moment Sebastian said nothing. She was asking him to serve as her agent. And perhaps much more. He’d heard whispers about a secret consortium that sought to gain through conspiracy the kind of power that could not be obtained otherwise. Morgana was rumored to be a member of it. Which meant that if he became indebted to her, he would effectively become a pawn of that group.

Their agenda was unknown. For all his sources, he had been unable to verify their membership.

“Or I could just deliver you to Lord Virilian,” she said affably. “I’m sure he would be generous in his gratitude, after I stepped in to capture you when his own men failed.”

I have no choice, he thought. Some debts could not be denied. “I owe you my life,” he said quietly.

“Excellent!” The pale eyes glittered; something in their depths made him shudder. “Then we do understand each other. I’m sure we’re going to have a most productive relationship.”

She withdrew a handful of items from a pocket of her silk slacks and held them out to him. He hesitated, then put his own hand out beneath hers, palm open. Slowly she dropped his fetters into his hand, one by one. All except the last. She held that one up to the light, so she could see it better.

“Fetters from the Guild of Obfuscates are very rare,” she mused. “It’s almost unheard of for a Grey to share his Gift with an outsider.” She looked at him. “You must have done something quite remarkable to earn this one.”

He shrugged stiffly. The motion hurt. “Simply a trade of information, your Grace. In this case regarding an assassination plot against a high ranking Master of the Greys. He was grateful for my warning.”

He continued to hold his hand out. After a moment she dropped the last fetter into it. “I have sufficient influence to turn the Shadow’s attention away from you,” she said. “For now.”

“I would be most grateful if you did that.”

“You would be well advised to keep a low profile for a while.”

“I understand.”

His heart skipped a beat. Low profile suggested he would not be kept a prisoner here, that he would be allowed to go about his own business again. At least until she needed him. His hand closed around the Grey fetter. All he needed was a moment when she wasn’t looking directly at him and he could use it to escape from this place.

He nodded. “I believe I can manage that.”

“Good. I may have a task for you soon. In the meantime, I trust that if you come across any information that would be of interest to me . . .”

He bowed his head ever so slightly. “It would be my honor to share it with you.”

“Excellent. Rest here for as long as you like, then. My people will bring you whatever refreshment you require, and will see you out when you’re ready to leave.”

“Thank you, Your Grace.”

She walked toward the door, the fine white silk of her garments rippling like water. But at the threshold she paused, then turned back to look at him. “Did you really kill Guildmaster Durand?”

The words were more than a question, he knew. They were a test of his commitment, and perhaps of his value. He chose his own words carefully. “Durand was killed by a rival Shadow, who slit his throat with a sacrificial knife. There were so many death-impressions on the blade already that no one could draw forth from it any useful information. Hence the killer remained undetected. Rather clever, actually.” He paused. “Of course, I have no idea what sort of information Durand’s rival might have come across, that convinced him such drastic action was necessary.”

For a long moment she just looked at him. One corner of her mouth twitched slightly; he could not tell whether it indicated disapproval or amusement. Perhaps both.

Without further word, she left him to his thoughts.

1

BERKELEY SPRINGS

WEST VIRGINIA

JESSE

THE BLACK PLAIN feels unsteady tonight.

Normally I have better control over my dreams than this. Normally I can force the energy under my feet to take whatever shape I want it to. It’s only an illusion, after all. The space that lies between the worlds is a realm of utter chaos, with no real physical substance; it’s hardly the sort of thing one can walk on. But in my dreams I can make it take whatever form I want. If I want the primal chaos that separates the worlds to look like a sheet of black glass, a field of obsidian gravel, or even a dusty linoleum floor, that’s my choice.

It’s always black, though. I’ve tried a thousand times to give it color, but I can’t.

Tonight the dreamscape seems unsteady. Energy shivers beneath my bare feet as I walk, squelching up between my toes like mud on a beach. Is there some special meaning to that? Should I worry about it? Or is the dreamscape just harder to control some nights than others? I look behind me and see my path marked in thin lines of golden fire on the plain, as always. And as always, I take a moment to memorize its pattern, in case I need that information in the future.

I’m only now beginning to learn the rules of the place. And of my own abilities.

The doors scattered across the black plain look like cavern entrances tonight. Not naturally shaped caverns, but gaping, surreal mouths with crystal teeth jutting inward, like something out of a grade B horror movie. Waiting to swallow me whole. That’s what the Gate in Mystic Caverns looked like, before we destroyed it. Now it’s what all my dream doors look like, every night. Apparently that image has been burned into my brain, and no conscious effort can banish it.

But tonight the openings seem different, somehow. I can’t put my finger on how, but it makes me uneasy.

I pass the nearest doors without looking inside. I already know what’s behind them. Each archway allows me to gaze into a parallel world, and the closest ones will be similar to my own. Maybe a universe where my brother got an A in History instead of a C-, or Mom decorated the living room a little differently, or Star Wars bombed on opening night. Little changes. Such worlds have nothing to teach me, and peering into them, I have learned, is a waste of time.

I still don’t know if those worlds are real or not. Oh, parallel worlds do exist—I’ve still got a nasty scar across my belly from the last one I visited—but whether my dreams give me access to the real thing or just show me the kinds of worlds that might exist, is something I haven’t figured out yet.

As I walk along the black plain, crystal maws gaping on all sides of me, I suddenly feel a chill. Something is wrong, very wrong. I sense the wrongness without knowing its cause, and I feel the sudden urge to run.

But no. The world of the black plain is mine, I tell myself. My dream, under my control. Nothing can hurt me here, because nothing can exist here without my consent. So I have no need to flee.

That calms me a bit, and I start to look around, seeking the source of my unease. When I find it at last, the shock is so great that for a moment I can hardly think, much less absorb what I’m seeing.

She’s standing maybe ten yards away from me, a slender young girl with wind-mussed hair and enormous eyes. Or maybe it’s a boy; the lean body offers no clear sign of gender. Complex geometric patterns flow across her body, sketched in golden light, and they change when I try to look directly at them. It’s as if my brain can’t decide exactly what the patterns are supposed to be, so it keeps trying different ones.

A stranger. In my dream!

I can sense the otherness in her, and I know instinctively that she senses it in me. This isn’t just some image my mind has created, but an alien presence invading the landscape of my sleeping mind. An intruder, where no intruder should be.

I open my mouth to speak, but words never have a chance to get out.

She turns.

She runs.

I hesitate for a moment, then begin to run after her. But her legs are longer than mine, and she seems to know the twists and turns of the dreamscape better than I do; I’m hard pressed not to lose her. Several times she makes a sharp turn to pass behind one of the crystal arches, and I have to slow down to keep from impaling myself.

What will I do if I catch her? Block her path? Tackle her to the ground?

“Hey!” I call out. “Stop! I just want to talk to you!”

She glances back at me for a second but doesn’t stop running. Now we’re approaching a place where the spiked arches are clustered together so tightly that it’s hard to make out any space between them, but she’s not slowing down at all. I can’t see how she’s going to make it through that tight maze, so I brace myself for whatever evasive maneuver she’s about to come up with. But instead of avoiding the arches, she heads straight toward one of them. Then into it.

And she’s gone, swallowed by the darkness of another world.

I skid to a stop in front of that arch, and for a moment I just stand there, struggling to absorb what I’ve just seen. I’ve been dreaming about these doors for years—though I didn’t understand what they represented until recently—but never, ever, have I been able to pass through one of them. Yet beyond this arch I can see the misty shadows of another world, and I know that the girl I’ve been chasing is out there now, somewhere on the other side of the gate.

Holy crap.

Slowly, warily, I reach out a hand, trying to extend it through the arch. Always before, such efforts have failed.

It fails this time as well.

Standing in the middle of the black plain, I experience a kind of fear I never felt before. This dreamscape is my territory. MINE. How can someone else enter it? Why would this invader be able to enter a doorway that was conjured by my dreaming mind, while I, its creator, am stuck at the threshold?

It matters. I know that instinctively. This is more than just a dream.

But I don’t have a clue how to make sense of it.

When I first woke up, it took me a moment to remember where I was. The ceiling overhead was unfamiliar, with thick crown molding where none should have been, and an antique lamp of painted glass hanging from its center, now dark. The furniture was weathered pine with dark brass fittings, wholly unfamiliar. The cotton quilt I had thrown off while tossing and turning was country calico, not something I would ever have chosen for myself.

Then I remembered.

I shut my eyes for a moment, trying to come to terms with the recent changes in my life. Mom, Tommy, and I were living in Berkeley Springs now, in the home of Rose and Julian Bergen, distant relatives who we’d been told to call Aunt and Uncle. They’d generously taken Mom in after our house had burned down, and when Tommy and I returned to this world we’d joined her there. Their house was a rambling, century-old creation with period gingerbread details adorning its wraparound porch, and plenty of guest rooms for visitors. It was packed to the brim with antiques, and original works by local artists hung on every wall. A museum curator would have been envious. Normally it was the kind of house I would have enjoyed visiting, and I could have spent many days exploring its nooks and crannies, but given the circumstances that had brought us here, it was hard to take pleasure in anything.

I reached out to the nightstand and took up the sketchpad I kept next to it. I knew from experience that I had to record my dream as soon as I woke up or the details would fade from mind. Each time I returned from the black plain I recorded the path I had walked through the dreamscape, along with notes about any doors I had opened. Their patterns reminded me of the glowing lines that had appeared inside the Shadows’ Gate just before we crossed through it, as well as the codex that I’d activated later to get us home. They were all maps, I understood now, only they charted metaphysical currents instead of roads. Maybe if I studied enough of them I could learn how to read them—or even design them—and then I could—

Do what? Travel between the worlds again?

The mere thought of it made me shiver.

“Jesse!” Aunt Rose’s voice resounded up the staircase and through my bedroom door. “Breakfast!”

I glanced at the window. There was light seeping in around the edges of the heavy shade. I’d slept longer than usual.

“Jesse?”

“I hear you!” I yelled. “I’ll be right down.”

I tried to do a quick sketch of the girl (boy?) I had seen in my dream, but my drawing came out looking like a cartoon. Try as I might to capture the patterns that had flowed across her body, they were already fading from memory, angles and lines slithering from my mental grasp before I could commit them to paper.

Start without me, I wanted to yell down to her, but I knew that she would never do that. Food was more than physical nourishment to Aunt Rose, it was a vehicle of emotional bonding. Which meant that family meals had existential significance, and she wouldn’t start this one until all of us were present.

With a sigh I finally closed the sketchbook, slipped on a robe, and turned the lamp off. Then, with the pad tucked under my arm, I headed downstairs to join my family.

Coming home.

It should feel good, shouldn’t it? Especially after spending time in a parallel universe as terrifying as the one called Terra Prime, being hunted by shapechangers and angry undead. Home was familiar. Home was safe. Home was the one place where you could relax and be yourself.

That was the theory, anyway.

But the home that I’d known all my life was gone. The house I’d grown up in was ash. A lifetime of artwork, into which I’d poured my very soul, ash. My journal, my computer, my schoolbooks, my jewelry, the dolls that I’d kept since childhood because they brought back special memories . . . all of it gone forever. You didn’t appreciate how much those things kept you grounded until you lost them all.

Tommy was still around, and in some ways we were closer than ever, but he wasn’t the same kid he’d been before. We both slept with kitchen knives under our pillows now, and I knew he wouldn’t hesitate to use his if he had to. Granted, some of the nasty things that might come calling were not flesh and blood, but at least we’d be prepared to face those that were.

He told me that late at night he sometimes heard voices. As if people were whispering by his bedside, too softly for him to make out the words. He said they sounded like the ghosts in Shadowcrest, so these were probably ghosts as well. But were they local spirits, drawn to the strange boy who could sense their presence, or something more ominous? Shadowlord spies, perhaps. Spirits of the dead who had followed Tommy home from his prison cell in Shadowcrest.

Neither of us sleep much these days.

As for Mom, she was alive, but her spirit was sorely wounded. The night our house burned down she’d managed to escape the flames, but not before inhaling more smoke than human lungs were meant to contain. She’d stopped breathing altogether on the way to the hospital (the EMTs told us later) and though they managed to bring her back to life, apparently something in her brain had gotten damaged in the process.

Don’t be discouraged, the doctors told us. She may get better over time. But it was clear from the way they talked to us that they didn’t really believe that.

Some days weren’t too bad. Some days she seemed almost normal. Other days she might not remember who we were staying with, or the names of her own children. It was heartbreaking to witness, and I couldn’t help but feel that I was responsible. I was the one with the forbidden Gift, who had drawn the Shadows’ attention to us. I was the one whose dreams had caused the Greys to kidnap my brother, thinking he might be a Dreamwalker, and burn our house to hide the evidence of their visit. If I’d just been a normal kid, with normal dreams, none of this ever would have happened.

And then there was Rita. I still didn’t know if my former traveling companion was dead, or a prisoner on Terra Prime, or trapped between the worlds. If not for me, she would still be safe at home.

Breakfast that morning was pretty stressful. Not because the food was bad. Aunt Rose made killer french toast, and the mere sight of it made my mouth water. And not because the company was lacking. She and her husband Julian were genuinely warm people, hospitable to an extreme. They’d taken in our whole family when we were homeless, hadn’t they? And they were both pleasantly quirky. Rose was an accomplished ceramics artist, and her husband . . . well, hunting wasn’t my thing, but Julian had taken me out target shooting once and taught me how to clean, load, and shoot a variety of guns, which might be a useful skill someday.

No, everything about breakfast was just fine, except that my brain was still buzzing with details of my strange dream, and what I really wanted was to show Tommy my drawings and see what he thought about them. Sometimes he had insights that a person more firmly rooted in reality might not. But first the ritual of breakfast had to be satisfied, so I put my sketchbook beside my plate, and after a moment’s homage to the pile of luscious french toast in the middle of the table, went to the pantry to fetch my second favorite breakfast, toaster strudel. I didn’t want to risk having all that syrup around my drawings.

Of course, as soon as Rose saw the sketchpad she asked what I was working on. I said I was drawing a character for Tommy, an illustration for one of his games. Of course she asked to see it. So I opened the pad to my drawing of the dream visitor and showed her that. My brother played along, leaning over to look at my work and murmuring, “Yeah. Yeah. That’s it!” I could sense how curious he was, but he didn’t ask me any questions.

We’d become well practiced at hiding the truth from family.

Then Rose reminded me about her booth at a local art gallery, and how I really should display some of my work there. We had that conversation pretty much every morning. Berkeley Springs was a haven for local artists, and there was a converted mill on the outskirts of town where people could rent booths and sell their work. Rose had a table for her pottery, and she kept trying to convince me to display some of my drawings there. She seemed to think it would help with my emotional healing, though she never said that directly. Truth was, under normal circumstances I would have jumped at the chance to display my artwork in a real gallery setting. But all my pieces had burned in the house fire, so I had nothing to display. Unfazed, Rose pointed out (again) that I could always paint something new, and she offered (again) to buy me any supplies I needed.

Art heals, right?

Finally breakfast wound down and it was possible to take my leave of the family. As I left the room I heard Tommy follow suit. He walked behind me in silence through the house, holding back any questions he had until we could find a place to talk privately.

As we passed by the front parlor I saw Uncle Julian’s gun cabinet, which had been adapted from a 1930s wardrobe. It now had shatterproof glass in the front and a modern lock on the bottom drawer. He’d told me it was a compromise between his desire to have a gun rack on the wall and his wife’s demand that weapons be stored under lock and key. Of course he explained to me during my shooting lesson that you would never fire a rifle in the house, for fear of the bullet going through a wall and killing someone in the next room. I didn’t bother to argue that if the servants of the undead came for you in the middle of the night, you might deem it worth the risk. I just studied the cabinet when he wasn’t around, noted that the back of it wasn’t as solidly constructed as the front, and stashed a crowbar behind the cushions of a nearby couch, just in case.

Past the parlor was the front door. As we left the house I looked around the porch to make sure that no one else was outside, then sat down in one of several squeaky metal chairs and handed Tommy the sketch pad. He settled onto a nearby wooden bench and whistled softly under his breath as he flipped through my latest drawings. He stopped when he got to my picture of the girl. “This is from a dream?”

“Someone I saw in a dream. I think she came from outside it.”

He looked up at me, eyes wide. “No shit?”

I nodded solemnly. “No shit.”

I told him the whole story. I tried not to sound too anxious, but once I started putting the experience into words, I realized just how truly bizarre—and threatening—the situation really was.

Tommy looked over my drawings while I talked, and when I was done he turned back to my portrait of the intruder. “This looks like anime.”

Startled, I realized that he was right. I wasn’t a big fan of Japanese animation, but Tommy was, and I’d caught sight of enough brief snatches while he was watching to recognize the general artistic style. And yes, the oversized eyes, wildly spiked hair, and other subtle details of disproportion did indeed suggest that genre. Did that mean my dream invader was some kind of Japanese cartoon character? From a style of media I didn’t even watch? What kind of sense did that make?

“Could be an avatar,” Tommy mused.

“An avatar?”

“You know. Like in a computer game. It’s an image that you use to represent yourself in a fantasy universe.”

“I know what an avatar is,” I said sharply. “What makes you think this is one?”

He shrugged. “Young androgynous figure with strange magical effects floating around it . . . pretty common design elements, really. The anime crowd loves that kind of thing.”

I was silent for a moment, trying to wrap my brain around this new concept. “So . . . you think the avatar’s owner wasn’t really in my dream? He or she was just projecting a fantasy image into it?”

“You weren’t in your dream either,” he reminded me. “It’s like when you play a computer game. You create a fictional identity that allows you to interact with it, and its image is visible, walking around inside the game universe like a real person, but you’re not really there in any physical sense.” He paused. “Maybe someone did the same kind of thing with your dream. Treating your brain like a multi-player platform.”

“If that was the case, wouldn’t I have had complete control over the programming?”

“You’d think,” he agreed.

But what if I was just imagining the whole thing? Dreamwalkers were supposed to go insane over time. Maybe an early symptom was that you thought strangers were invading your dreams.

It was an unnerving concept.

Just then my phone vibrated. Pulling it out of my pocket, I saw that I had a text message from Devon. I continued talking as I went to read it. “If so, then the next question is—”

I stopped. And stared at the phone. I could feel all the color drain from my face.

“Jesse?” Tommy was immediately on high alert. “What is it?”

Slowly I turned the phone so he could see it. The message was only two words, but as he read it I saw his eyes go wide in astonishment.

“Holy crap,” he muttered.

Rita’s back, it said.

2

SHADOWCREST

VIRGINIA PRIME

ISAAC

THE ELEVATOR’S CAGE carried Isaac smoothly down into the earth, its lamp revealing rough-hewn rock walls pressing in on every side. Two years ago Isaac might have found the closeness unsettling, but compared to the dank, lightless tunnels of the Warrens, he now found it downright inviting.

Besides, he had bigger things to worry about.

He practiced breathing steadily as the elevator passed through level after level of Shadowcrest’s underground complex, offering fleeting glimpses of the floors where the Guild’s most secretive business took place. He tried not to fidget. Real Shadows didn’t fidget. They didn’t shift their weight nervously from foot to foot, or pace from one side of the steel cage to the other, working off their nervous energy. They certainly didn’t crush a letter from their father in sweaty hands until it looked more like a crumpled wad of toilet paper than a meaningful communication.

Swallowing dryly, Isaac unwadded the short note and read it one last time. It offered no more insight into his father’s intentions than the last ten readings.

Well of Souls

Midnight

Lord Leonid Antonin, Umbra Maja

He hadn’t even known that his father was back in Virginia Prime until that note arrived. The elder Antonin had been attending to business in another sphere for the last few weeks—some kind of probability survey in the Sauran Cluster—and Isaac had been stuck in limbo, waiting for his judgment. Oh, his mother had welcomed him home right away, and had championed his cause among the other Antonin elders, encouraging them to accept him back into the fold despite the fact that he’d run away for two years. But she was still alive, an umbra mina, so her influence among the Shadows was limited. Not until his father returned would Isaac’s fate be decided.

And now there was this note. With no explanation.

Isaac had no clue what to expect from his father. The days when human affection might have impacted the Shadowlord’s actions were long past, and whatever undead emotions coursed through his heart now were shadowy and mysterious things, beyond the understanding of a mere teenager. Leonid Antonin had accepted First Communion—the transformative Shadow ritual—soon after Isaac’s birth, so his son had no memory of him that didn’t involve moaning soul shards and eerie whispers from other worlds. Not exactly the kind of father it was easy to bond with.

And then of course there were all the other souls that gazed out at him from his father’s eyes. One never got used to that.

With a sigh Isaac shoved the crumpled note back into his pocket and wiped his sweaty palms on his jeans to dry them. At least he was alone in the elevator. Displaying this much agitation in front of an umbra maja would have reflected poorly on his entire family and probably doomed any chance of earning his father’s approval. Assuming that was still possible.

The Well of Souls was a level of Shadowcrest that apprentices usually didn’t enter, so Isaac had no clue why his father wanted to meet him there. It was where the darkest and most secretive rituals of the Guild were performed and, normally neophytes were not privy to such things. If he’d been just a little more paranoid, or a little more ignorant, he might have feared that his father intended to force him to submit to First Communion. But any schoolchild knew that one had to submit willingly to the transformation for there to be any hope of success.

Isaac drew in a deep breath as the elevator finally slowed and stopped; a section of steel grate moved aside to reveal a large, dimly lit chamber. As he stepped out, he saw that everything in the place was black. Black floor, black walls, black pillars supporting a black vaulted ceiling. The only hints of color were polished gold sconces affixed to the pillars, with tiny glow lamps inside, though what little light they exuded was sucked in and devoured as soon as it hit one of those merciless black surfaces. In such little light Isaac could neither see any details of the chamber, nor even be sure how large it was.

There were spirits present, of course, whispering indecipherable secrets into the darkness. Any place the Shadowlords frequented drew the dead to it like flies to rotting meat. Many of the spirits here were probably just soul shards, fragments of identity incapable of independent thought or motive, but there might be a few bound souls as well, serving as guardians of this place. Isaac had heard rumors about the ritual used to create such servants, and even by the dark standards of his Guild they sounded unusually gruesome.

Then the tenor of the whispering changed. New voices were approaching, whose cadences were familiar to Isaac; these were the spirits that were bound to serve his father. Drawing in a deep breath for courage, he turned to face their master.

Leonid Antonin was a tall man, stoic and dignified, and the long formal robes of an umbra maja fell from his shoulders in crisp, precise folds. He seemed more solid than most of his kind, with only the outermost edges of his form fading out into darkness, but for some reason that made his presence even more disturbing. Black, hollow eyes fixed on Isaac, cold and dispassionate; it was impossible to meet that gaze without shivering.

This is what they want me to become, Isaac thought, suddenly remembering why he’d run away from home in the first place. “Father,” he said, bowing his head respectfully.

For a moment his father studied him in silence. Isaac dared not meet his eyes, for fear of the condemnation he might find there.

“Come,” the Shadowlord commanded at last. He turned away and began to walk. Isaac followed, jogging slightly to keep up with his father’s longer stride. Across the chamber and through a narrow archway they went, moving quickly, into a long corridor dressed entirely in black marble. Glow lamps in the ceiling sparked to life as they approached, illuminating white veins in the polished stone; the lamps extinguished after they passed, creating the illusion of an island of light that moved down the hallway with them. Isaac caught sight of doors marked with mysterious symbols to either side, but his father was leading him forward too quickly for him to get a good look at anything. One door was open, and there was just enough light for him to make out the shape of a vaulted chamber beyond it, with some kind of large table in the center. He thought he saw shackles lying on top of it.

He shuddered.

At the end of the long hallway they came to a pair of ornately carved doors, twice as high as a man. They reminded Isaac of the ones at the entrance to Lord Virilian’s audience chamber, but these were grander in scale, and the carvings were much more complex. Images of men, beasts, skeletons, and demons had been rendered with such depth of detail that they seemed about to burst from the door’s black lacquered surface. Subtle gilt highlights only increased the illusion. The artwork was beautiful but morbid, and Isaac could feel his skin crawl as he studied it.

“Images from the Lost Worlds,” his father said. “Meant to remind us of the burden of responsibility that we bear, in our duty as Shadows.”

The Lost Worlds. Those were human civilizations that had been destroyed by the coming of the Shadows. Some had been unable to handle the sudden influx of alien germs and parasites that outworlders brought with them, some had been raided so often by slave traders that their gene pool fell below the threshold required for species survival, and some simply could not face the revelation that they were no longer masters of their own fate, and died a slow spiritual death.

And then there were those rare worlds that needed to be Cleansed, because the Shadows decided they were a threat to interworld commerce. That might mean destroying the underpinnings of local technology, so that society collapsed into barbarism, or taking actions more directly destructive.

Now Isaac understood why the doors here were black. Why this whole place was black. The path to a Shadow’s duty was paved in death: this was their reminder of it.

He watched as his father took hold of the ornate lever that served as a door handle and turned it to the right. Nothing happened. Then a prickling at the back of Isaac’s neck alerted him to the approach of a new spirit, whose presence was far more powerful than that of the others. He could sense it approaching the door, perhaps touching it—and then the lock snicked open.

Of course, he thought. Since no one but an umbra maja could command spirits, any lock that required the touch of both the living and the dead would be impassable to other Guild members. It was a simple but effective security.

“Come,” his father repeated as the great doors swung open—seemingly of their own accord—and Isaac followed him into a vast, shadowy chamber with tiny golden lights hanging in mid-air as far as the eye could see. Like stars in a night sky. As his eyes adjusted he could see that each light was in fact set atop a marble pedestal, and that there were walkways running around the chamber at several heights, each with its own row of pedestals, evenly spaced.

His father gestured toward one of the nearest pedestals, indicating he should approach it.

There was just enough light for Isaac to make out the shape of a golden sphere with symbols inscribed in it, protected by a glass dome. He recognized the mark of the Weavers on the glass; there were others he didn’t recognize.

“We call these soul fetters,” his father said, coming up behind him, “but they’re not really that, you understand. Simply recording devices that store the memories of former Guild members.”

Suddenly Isaac realized what he was looking at, and a wave of nausea came over him, fear so thick in his throat he could hardly breathe. This thing was the source of Communion, the mechanism used to pour the soul of one Shadow into another. He had to fight the urge not to back away from it, and though he managed to keep his expression calm, his heart was beating so wildly it made his chest shake. Had he been wrong about his father’s intentions? Had the Shadowlord discovered a way to initiate an unwilling candidate into the ranks of the undead? Why else would he have brought Isaac down here?

But his father made no move toward him, and after a few seconds Isaac found himself able to breathe again. Turning his attention to the pedestal itself, he saw a column of small brass memorial plaques with names and dates on them. Three dates each. There was also a narrow shelf with a thick leather-bound journal on it, and as his father reached out to remove the book, his arm brushed against his son’s, sucking all the heat from his flesh. Isaac tried not to flinch.

“The names on the plaques are those who contributed their memories to this particular fetter,” the Shadowlord explained. “Some of the earliest date all the way back to the Dream Wars. Most are more recent. Communion didn’t become common practice until centuries after that.” He placed the book on the pedestal in front of Isaac and opened it. “These are the histories contained in this fetter.”

Isaac looked up at him. “I thought Communion only transferred a single set of memories.”

“In a technical sense, yes. But each man’s input includes the memory of his own Communion. So when you accept the memories of one Shadowlord, you inherit echoes of all the others.”

Good God, Isaac thought. That meant that a Shadow who accepted Communion one time would absorb the memories of what, dozens of other men, hundreds? How could anyone maintain his sense of identity in the face of all that?

Not everyone succeeds, he reminded himself. Though it had been a long time since any Antonin had been driven insane by First Communion, the lesser bloodlines lost people regularly. Initiation into the ranks of the umbra maja was a high-risk enterprise, and only the strongest survived. “It sounds . . . chaotic.”

“The memories of a Shadowlord fade in clarity over the centuries. A few generations down the line, only the most intense fragments remain,” his father said. “But, yes.” A faint, cold smile was briefly visible. “The experience can be quite disconcerting.”

Isaac reached out to the book and slowly turned the pages. The paper felt ancient beneath his fingertips, and the pages made a soft rustling noise as they moved. There were handwritten notes in a variety of scripts, some of them noting major historical events, others more personal details. Every few pages he saw a new name and a set of three dates: Birth, undeath, and true death.

“These are the histories of the Shadowlords whose memories are contained in this particular fetter,” his father told him. “The elders try to match each candidate to an appropriate fetter. Compatible Shadows stand a much better chance of successful Communion.”

Isaac looked up at him. “So . . . you get to choose whose memories you absorb?” That certainly wasn’t something they’d taught him in school.

But his father shook his head. “The living don’t know enough to make an informed choice. So that decision must be made for them. But our family is ancient and highly respected, and rest assured, I would allow no outsider to dictate who my son was to bond with.”

There was pride in his words, but also admonishment; the combination brought a lump to Isaac’s throat. He looked back at the book, unwilling to meet his father’s gaze.

“So,” his father said softly. “Is this what you feared so desperately? Enough to compromise your family’s honor by fleeing the Guild like a frightened colt?”

The words left his mouth before he could stop them. “Shouldn’t I be afraid?”

For a moment there was silence. Then: “Yes. This is a place worthy of fear.”

Isaac hesitated. Normally he would never ask his father a personal question, but this was hardly a normal moment. The Shadowlord clearly wanted Isaac to understand how Communion worked; wasn’t the man’s own experience part of that picture?

“Were you afraid?” he asked. “When they handed you your first fetter, when you had to open your mind to the memories of so many Shadowlords? Didn’t that frighten you?”

“I was terrified,” his father admitted. “And any Shadowlord who claims that he wasn’t, is lying. But I understood that my family’s honor was at stake, which was far more important to me than my own fleeting pleasure.”

Isaac said nothing.


Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman

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Most helpful customer reviews

0 of 0 people found the following review helpful. A step up from the last Dreamwalker book at least By malicious butterfly This book is moving in the right direction at least. I still don't like this as much as her Coldfire and Magister trilogies. The characters in this book are just not quite as compelling and deep. Overall, I'm not quite sure I'd reread this (unlike the trilogies I mentioned...I've read those numerous times now). However, Jesse was slightly less annoying this time around so that definitely made it more tolerable. Plus I do like the whole alternate dimension angle. It is interesting. And I'm also glad she didn't dwell on that slight romance subplot from the prior book. That felt really forced and contrived and I'd rather it just not exist.The book is told primarily in first person from Jesse's point of view. Occasionally you get Isaac chapters which are told in third person. It's a shame we didn't get more on the Shadows in general. I think they are fascinating and would like to have seen more from that perspective. I'm hoping for more focus on Isaac and possibly his family in the next book. I like the idea that the supposedly emotionless undead Leonid actually still feels strongly about his son. The "relationship" between Isaac and Jacob is also interesting. It definitely has me curious about what will happen to Jacob...can his "mind" be restored? Can he truly be set free? I am interested enough to pick up the next book at the very least. It has potential. Still hope C.S. Friedman will go back to more adult type fantasy and not YA. There is definitely a difference there. The main character is still very weak and she just does not resonate with me. Like I said, I'm more interested to know what happens with Isaac and more stuff on the Shadows then I am in finding out what happens to Jesse. She could be killed off at this point and I really wouldn't care at all. Hopefully the next book can actually get me to care about her.

0 of 0 people found the following review helpful. C.S. Friedman Goes Back To The Dark Side By Kim Mayread I really enjoyed Dreamseeker. Dreamwalker, book one of this C.S. Friedman trilogy, was kind of a departure for Friedman, a foray into the popular young adult genre. While I enjoyed reading it, and getting a taste of Friedman writing in a bit of different style – young protagonist, first person p.o.v., less heavy themes - this second book is more in the style of classic C.S. Friedman books. The thing I’ve always loved about C.S. Friedman’s writing is her ability to build worlds and characters that are many layered and multifaceted, and this book showcases those talents better than the last book. Deep, dark, complex themes that were hinted at as possibilities in the first book really blossom in this second part of this trilogy. While this second book takes place not long after the conclusion of the first, C.S. Friedman has done a fine job of portraying the main protagonist, Jesse, as a more mature, complex and evolving character. Jesse was sixteen in the first book. She’s still a kid in this book, but she’s been changed by her experiences on Terra Prime. She’s finding out about her powers and learning to use them, interwoven in a complex, interesting plot with many developing relationships and characters. So many trilogy and series writers fail to show their characters changing and evolving as their stories unfold. Friedman doesn’t have that problem.My favorite character was Isaac. He was set up well in the first book, but the character and plot development concerning him in this book is classic Friedman fantasy writing. I kind of wonder where the author gets all the dark, twisted stuff that permeates her work, but maybe we’re better off not knowing. Haha. Friedman always writes strong women - main as well as secondary characters - something I really like about her writing. Can’t wait to see where she goes with Morgana in the third book. Plus, even though the women are always strong in Friedman’s work, she also does those kick ass male characters. Remember Gerald Tarrant? Isaac is developing the same kind of tortured mix of Tarrant good-and-bad in this series that Gerald Tarrant had in Coldfire. The only thing I think I would have preferred is if the characters were a little older in this book because I totally got into reading the story and then I’d suddenly remember that the characters are young adults – not totally grown up. But I’ve been a fan of Friedman’s for a long time, so maybe that’s just hinting at how old I am.I think the next book is probably going to wrap up the trilogy with an even darker cast. It’s a great concept, starting the series on a lighter, more YA note and then deepening the plot and character development as the trilogy unfolds. Classic C.S. Friedman fantasy writing. A great read!

0 of 0 people found the following review helpful. Review of Dreamseeker By Amazon Customer Book One was an adventure into a fantasy world for Jesse, where she could tell apart the good and bad guys and make deep friendships with the people who were on her side. Book two takes all of those things a step further. Jesse is no longer the innocent youth she was, and the world isn't as black and white as it once seemed. While the adventure is full of tension and intrigue that keeps me turning the pages, the reason I really love this story is because of how human each character is, and even though they are dealing with far more fantastical problems than a regular earthling like I am could wrap my head around, each character hits me on a personal note and I find myself involved in their plight as if it were happening to myself. This book is appealing to young adults who can relate well to Jesse and her friends, but is also appealing to a mature audience in search of a dark tale full of twists and turns.

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Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman
Dreamseeker: Book Two of Dreamwalker, by C.S. Friedman