Kamis, 21 Mei 2015

Ham Spaghetti, by Jesse Williams

Ham Spaghetti, by Jesse Williams

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Ham Spaghetti, by Jesse Williams

Ham Spaghetti, by Jesse Williams



Ham Spaghetti, by Jesse Williams

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A literary journey of manageable proportions, "Ham Spaghetti" explores the less overwhelming sides of love, community, religion, astronomy, capitalism, politics, and daydreams. From one night stands with aspiring communists to the soul of Genghis Khan lost in space, "Ham Spaghetti" delves fearlessly into life's mysteries and plumbs the depths of the human condition, without any preponderance of meaning and revelation. Read what other people are saying about "Ham Spaghetti."

Ham Spaghetti, by Jesse Williams

  • Amazon Sales Rank: #2061870 in eBooks
  • Published on: 2015-11-06
  • Released on: 2015-11-06
  • Format: Kindle eBook
Ham Spaghetti, by Jesse Williams


Ham Spaghetti, by Jesse Williams

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0 of 0 people found the following review helpful. poems that are delightful and daring By Lisa W. You read anything by this author and you will be wanting more. These poems are hilarious and captivating. A real treat for anyone, especially if you don't normally like poetry. This author is in a category all by himself.

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Senin, 18 Mei 2015

The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint),

The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

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The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana



The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

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Excerpt from The Sense of Beauty: Being the Outlines of Æsthetic TheoryThis little work contains the chief ideas gathered together for a course of lectures on the theory and history of æsthetics given at Harvard College from 1892 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for instance the excellence of tragedy, is presented in a new light, the change consists only in the stricter application to a complex subject of the principles acknowledged to obtain in our simple judgments. My effort throughout has been to recall those fundamental æsthetic feelings the orderly extension of which yields sanity of judgment and distinction of taste.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

  • Published on: 2015-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .44" w x 5.98" l, .85 pounds
  • Binding: Paperback
  • 208 pages
The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

About the Author George Santayana (1863--1952) was a philosopher, poet, critic, and novelist. He is the author of "The Last Puritan" (MIT Press) and many other works.


The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

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31 of 32 people found the following review helpful. Excellent By Dr. Lee D. Carlson The philosophy of Santayana is remembered mostly by his theory of aesthetics, which is discussed in detail in this book. His aesthetic theory is basically subjective, or "psychological", and if viewed from a contemporary standpoint, somewhat at odds with current developments in neuroscience, but closer than most schools of Western philosophy. All philosophical theories of aesthetics are interesting to investigate from the standpoint of comparing them to what is said about the human aesthetic faculty in modern research in neuroscience. As in ethics, Santayana approaches aesthetics in three different ways, namely as the exercise of the aesthetic faculty, the history of art, and the psychological. The first two do not concern the author in the book, his attention devoted entirely to the third. His intention is to remove himself from the influence of the poets and of Plato, and find the out how ideals are formed in the mind, how objects may be compared with them, what properties are shared in beautiful things, and the process by which humans become sensitive to beauty and in turn value it. He is after a definition of beauty that explains its origin in human experience, and one that explains the human capacity to be sensible of beauty and the relation between a beautiful object and its ability to excite the human senses. The author takes a different definition of aesthetics, being one that he calls "critical" or "appreciative perception", and which results from combining a notion of criticism with that of the notion of aesthetics as a theory of perception. Santayana wanted to develop a theory of aesthetics that relies on perceptions as a judgmental, critical notion. Perceptions that are not appreciations are thus to be excluded. An aesthetic theory then deals with the "perception of values". The author's view of religion is well-known, and his atheism rare for his time. The religious imagination he says, has resulted in creations that rival those of the poets and novelists, so much so, he says, that humans believe the content of these creations to have objective reality. The ideas of these divinities are further enhanced by the realization of their natural power, with the belief in the reality of an ideal personality bringing about its further idealization, eventually spanning many human generations. History and tradition are cast by the imagination of these deities, in which peity resides and is nourished. The author of course does not excuse the God of Christianity from this, but he acknowledges the possibility that the human conceptions of Christ and Mary may in fact have real counterparts (the evidence of this not to be explored in this work). The author states that unless human nature undergoes radical change, the main intellectual and aesthetic value of ideas will come from the creative acts of imagination. If human perceptions are not connected with human pleasures, there would be no need to look at things, no interest in them at all, and no importance would be imputed to them. It is indeed amazing how many ideas, thought to be rational, logical, or abstract, actually fit in with the author's aesthetic worldview. Concepts and results in science and mathematics in particular, after their discovery, are sometimes thought of as having their origin in logic and reason. But it was the keen human imagination that brought them about: a grand interplay of intuition and playfullness. Ugly ideas are not permissible: only the most beautiful survive...and oddly, and most interestingly, it is these that usually seem to work the best, and transcend the context in which they were discovered.

1 of 1 people found the following review helpful. THE POPULAR WRITER/PHILOSOPHER LOOKS AT ART, DRAMA, AND BEAUTY By Steven H Propp Jorge Agustín Nicolás Ruiz de Santayana y Borrás (but known as “George Santayana”; 1863–1952), was a philosopher, essayist, poet, and novelist. His most famous books are The Life of Reason---which includes Reason in Society, Reason in Religion, Reason in Art, Reason in Science, etc.He wrote in the Preface to this 1896 book, “This little book contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1982 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for instance the excellence of tragedy, is presented in a new light, the change consists only in the stricter application to a complex subject of the principles acknowledged to obtain in our simpler judgments. My effort throughout has been to recall those fundamental aesthetic feelings the orderly expression of which yields sanity of judgment and distinction of taste.”He suggests, “There is no explanation, for instance, in calling beauty an adumbration of divine attributes. Such a relation, if it were actual, would not help us at all to understand why the symbols of divinity pleased. But in certain moments of contemplation, when much emotional experience lies behind us, and we have reached very general ideas both of nature and of life, our delight in any particular object may consist in nothing but the thought that this object is a manifestation of universal principles… this expressiveness of the sky is due to certain qualities of the sensation, which bind it to all things happy and pure, and, in a mind in which the essence of purity and happiness is embodied in an idea of God, bind it also to that idea. So it may happen that the most arbitrary and unreal theories, which must be rejected as general explanations of aesthetic life, may be reinstated as particular moments of it.” (Pg. 7)He acknowledges, ”To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.” (Pg. 8-9)He states, “By play we are designating, no longer what is done fruitlessly, but whatever is done spontaneously and for its own sake, whether it have or not an ulterior utility. Play, in this sense, may be our most useful occupation.” (Pg. 19)He argues, “It is unmeaning to say that what is beautiful to one man OUGHT to be beautiful to another. If their senses are the same, their associations and dispositions similar, then the same thing will certainly be beautiful to both. If their natures are different, the form which to one will be entrancing will be to another even invisible, because his classifications and discriminations in perception will be different, and he may see a hideous detached fragment or a shapeless aggregate of things, in what to another is a perfect whole---so entirely are the unities of objects unities of function and use. It is absurd to say that what is invisible to a given being OUGHT to seem beautiful to him. Evidently this obligation of recognizing the same qualities is conditioned by the possession of the same faculties. But no two men have exactly the same faculties, nor can things have for any two exactly the same values.” (Pg. 27)He says, “We have no reached our definition of beauty, which, in the terms of our successive analysis and narrowing of the conception, is value positive, intrinsic, and objectified. Or, in less technical language, Beauty is pleasure regarded as the quality of a thing.” (Pg. 31)He contends, “The capacity to love gives our contemplation that glow without which it might often fail to manifest beauty; and the whole sentimental side of our aesthetic sensibility---without which it would be perceptive and mathematical rather than aesthetic---is due to our sexual organization remotely stirred. The attraction of sex could not become efficient unless the senses were first attracted. The eye must be fascinated and the ear charmed by the object which nature intends should be pursued.” (Pg. 38)He notes, “We have, therefore, to study the various aesthetic, intellectual, and moral compensations by which the mind can be brought to contemplate with pleasure a thing which, if experienced alone, would be the cause of pain. There is, to be sure, a way of avoiding this inquiry. We might assert that since all moderate excitement is pleasant, there is nothing strange in the fact that the representation of evil should please; for the experience is evil by virtue of the pain that it gives; but it gives pain only when felt with great intensity. Observed from afar, it is a pleasing impression; it is vivid enough to interest, but not acute enough to wound. This simple explanation is possible in all those cases where aesthetic effect is gained by the inhibition of sympathy.” (Pg. 137)He asserts, “no aesthetic value is really founded on the experience or the suggestion of evil. This conclusion will doubtless seem the more interesting if we think of its possible extension to the field of ethics and of the implied vindication of the ideals of moral perfection as something essentially definable and attainable… Expressiveness may be found in any one thing that suggests another, or draws from association with that other any of its emotional colouring. There may, therefore, of course, be an expressiveness of evil; but this expressiveness will not have any aesthetic value. The description or suggestion of suffering may have a worth as science or discipline, but can never in itself enhance any beauty.” (Pg. 158)He concludes the book with the statement, “Beauty therefore seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Beauty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good.” (Pg. 164)This book will be of great interest to anyone studying the philosophy of aesthetics.

1 of 1 people found the following review helpful. THE POPULAR WRITER/PHILOSOPHER LOOKS AT ART, DRAMA, AND BEAUTY By Steven H Propp Jorge Agustín Nicolás Ruiz de Santayana y Borrás (but known as "George Santayana"; 1863-1952), was a philosopher, essayist, poet, and novelist. His most famous books are The Life of Reason---which includes Reason in Society, Reason in Religion, Reason in Art, Reason in Science, etc.He wrote in the Preface to this 1896 book, "This little book contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1982 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for instance the excellence of tragedy, is presented in a new light, the change consists only in the stricter application to a complex subject of the principles acknowledged to obtain in our simpler judgments. My effort throughout has been to recall those fundamental aesthetic feelings the orderly expression of which yields sanity of judgment and distinction of taste."He suggests, "There is no explanation, for instance, in calling beauty an adumbration of divine attributes. Such a relation, if it were actual, would not help us at all to understand why the symbols of divinity pleased. But in certain moments of contemplation, when much emotional experience lies behind us, and we have reached very general ideas both of nature and of life, our delight in any particular object may consist in nothing but the thought that this object is a manifestation of universal principles... this expressiveness of the sky is due to certain qualities of the sensation, which bind it to all things happy and pure, and, in a mind in which the essence of purity and happiness is embodied in an idea of God, bind it also to that idea. So it may happen that the most arbitrary and unreal theories, which must be rejected as general explanations of aesthetic life, may be reinstated as particular moments of it." (Pg. 7)He acknowledges, "To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be." (Pg. 8-9)He states, "By play we are designating, no longer what is done fruitlessly, but whatever is done spontaneously and for its own sake, whether it have or not an ulterior utility. Play, in this sense, may be our most useful occupation." (Pg. 19)He argues, "It is unmeaning to say that what is beautiful to one man OUGHT to be beautiful to another. If their senses are the same, their associations and dispositions similar, then the same thing will certainly be beautiful to both. If their natures are different, the form which to one will be entrancing will be to another even invisible, because his classifications and discriminations in perception will be different, and he may see a hideous detached fragment or a shapeless aggregate of things, in what to another is a perfect whole---so entirely are the unities of objects unities of function and use. It is absurd to say that what is invisible to a given being OUGHT to seem beautiful to him. Evidently this obligation of recognizing the same qualities is conditioned by the possession of the same faculties. But no two men have exactly the same faculties, nor can things have for any two exactly the same values." (Pg. 27)He says, "We have no reached our definition of beauty, which, in the terms of our successive analysis and narrowing of the conception, is value positive, intrinsic, and objectified. Or, in less technical language, Beauty is pleasure regarded as the quality of a thing." (Pg. 31)He contends, "The capacity to love gives our contemplation that glow without which it might often fail to manifest beauty; and the whole sentimental side of our aesthetic sensibility---without which it would be perceptive and mathematical rather than aesthetic---is due to our sexual organization remotely stirred. The attraction of sex could not become efficient unless the senses were first attracted. The eye must be fascinated and the ear charmed by the object which nature intends should be pursued." (Pg. 38)He notes, "We have, therefore, to study the various aesthetic, intellectual, and moral compensations by which the mind can be brought to contemplate with pleasure a thing which, if experienced alone, would be the cause of pain. There is, to be sure, a way of avoiding this inquiry. We might assert that since all moderate excitement is pleasant, there is nothing strange in the fact that the representation of evil should please; for the experience is evil by virtue of the pain that it gives; but it gives pain only when felt with great intensity. Observed from afar, it is a pleasing impression; it is vivid enough to interest, but not acute enough to wound. This simple explanation is possible in all those cases where aesthetic effect is gained by the inhibition of sympathy." (Pg. 137)He asserts, "no aesthetic value is really founded on the experience or the suggestion of evil. This conclusion will doubtless seem the more interesting if we think of its possible extension to the field of ethics and of the implied vindication of the ideals of moral perfection as something essentially definable and attainable... Expressiveness may be found in any one thing that suggests another, or draws from association with that other any of its emotional colouring. There may, therefore, of course, be an expressiveness of evil; but this expressiveness will not have any aesthetic value. The description or suggestion of suffering may have a worth as science or discipline, but can never in itself enhance any beauty." (Pg. 158)He concludes the book with the statement, "Beauty therefore seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Beauty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good." (Pg. 164)This book will be of great interest to anyone studying the philosophy of aesthetics.

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The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana
The Sense of Beauty: Being the Outlines of Æsthetic Theory (Classic Reprint), by George Santayana

Sabtu, 02 Mei 2015

One Week with the Best Man: Reclaimed

One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

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One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard



One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

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What happens when a fake wedding date gets all too real? 

Pretend to be famous bachelor Julian Cooper's girlfriend? Some women might be thrilled with the request—not Gretchen McAlister. Her job is planning weddings, not being the best man's date. But after Julian's latest celebrity breakup, "ordinary" Gretchen is the perfect PR ploy. 

Julian is against the whole plan…until he meets Gretchen. Honest and beautiful—even beneath her fancy makeover—his new "girlfriend" makes him want something more, something real… 

Enjoy a special Texas Cattleman's Club: Lies and Lullabies 

bonus prequel short story from Janice Maynard 

Reclaimed by the Rancher

One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

  • Amazon Sales Rank: #58490 in eBooks
  • Published on: 2015-11-01
  • Released on: 2015-11-01
  • Format: Kindle eBook
One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

About the Author Andrea Laurence is an award winning contemporary author who has been a lover of books and writing stories since she learned to read. She always dreamed of seeing her work in print and is thrilled to be able to share her books with the world. A dedicated West Coast girl transplanted into the Deep South, she's working on her own "happily ever after" with her boyfriend and five fur-babies. You can contact Andrea at her website: http://www.andrealaurence.com.In 2002 Janice Maynard left a career as an elementary teacher to pursue writing full-time.  Her first love is creating sexy, character-driven, contemporary romance.  She has written for Kensington and NAL, and is very happy to be part of the Harlequin family--a lifelong dream.  Janice and her husband live in the shadow of the Great Smoky Mountains.  They love to hike and  travel. Visit her at www.JaniceMaynard.com.

Excerpt. © Reprinted by permission. All rights reserved. "Pardon me," Natalie said, leaning in toward the man sitting across from her. "Could you run that by us again?"Gretchen was glad Natalie had said it, because she was pretty darn confused herself. The four owners and operators of From This Moment wedding chapel were seated at the conference room table across from a man wearing an expensive suit and an arrogant attitude she didn't care for. He wasn't from the South; that was for sure. He was also talking nonsense.Ross Bentley looked just as annoyed with the women's confusion as they were with him. "You advertise From This Moment as a one-stop wedding venue, do you not?""Yes," Natalie said, "but usually that means we'll handle the food, the DJ and the flowers. We've never been asked to provide one of the wedding guests a date. This is a wedding chapel, not an escort service.""Let me explain," Ross said with a greasy smile that Gretchen didn't trust. "This is a very delicate arrangement, so this discussion will need to fall within the confidentiality agreement for the Murray Evans wedding."Murray Evans was a country music superstar. On his last tour, he'd fallen for his opening act. They were having a multiday wedding event at their facility next weekend, the kind the press salivated over. Those weddings usually required a confidentiality clause so that any leaks about the event are not from the venue. Frankly, Gretchen was getting tired of these big, over-the-top weddings. The money was nice—money was always nice, since she didn't have much—but carefully addressing thousands of invitations in perfect calligraphy wasn't that fun. Nor was dealing with the high-and-mighty wedding guests who came to these kinds of shindigs."Of course," Natalie replied."I represent Julian Cooper, the actor. He's a longtime friend of Mr. Evans and will be attending the wedding as the best man. I'm not sure how closely you follow celebrity news, but Julian has just had a big public breakup with his costar of Bombs of Fury, Bridgette Martin. Bridgette has already been seen out and about with another high-profile actor. As his manager, I feel like it would look bad if Julian attended the wedding alone, but he doesn't need the complication of a real date. We just need a woman to stand in and pretend to be with him throughout the wedding events. I assure you there's nothing inappropriate involved."Gretchen knew of Julian Cooper—it would be impossible not to—although she'd never seen any of his films. He was the king of dude films—lots of explosions, guns and scripts with holes big enough to drive a truck through them. That wasn't her thing, but a lot of people loved his movies. It seemed a little ridiculous that he would need a fake date. His sweaty, hard abs were plastered all over every billboard and movie preview. While Gretchen might not appreciate his acting skills, she had a hard time discounting that body. If a man who looked like that couldn't get a last-minute date, she was doomed."What kind of woman are you wanting?" Bree, their photographer, asked cautiously. "I'm not sure I know many women who would look natural on the arm of a movie star.""That's understandable," Ross said. "What I'd really prefer is an average woman. We don't want her to look like an escort. I also think it would go over well with Julian's female fan base for him to be seen with an everyday woman. It makes them feel like they have a shot."Gretchen snorted, and Ross shot a cutting look at her across the table. "We'd be willing to handsomely compensate her for the trouble," he continued. "We're willing to pay ten thousand dollars for the woman's time. Also, I can provide additional funds for salon visits and a clothing allowance.""Ten thousand dollars?" Gretchen nearly choked. "Are you kidding?""No," Ross said. "I'm very serious. Can you provide what we're asking for or not?"Natalie took a deep breath and nodded. "Yes. We'll make arrangements and have someone in place to meet with Julian when he arrives in Nashville.""Very good. He flies into Nashville tonight and he's staying at the Hilton." Ross reached into his breast pocket and pulled out a leather wallet. He extracted a handful of cash and pushed it across the table to Natalie. "This should cover the incidentals I discussed. The full payment will be provided after the wedding is over."Without elaborating, he stood up and walked out of the conference room, leaving the four women in stunned silence.Finally, Bree reached out and counted the money. "He left two grand. I think that will buy some really nice highlights and a couple fancy outfits, don't you, Amelia?"Amelia, the caterer and resident fashionista, nodded. "It should. But it really depends on what we have to start with. Who can we possibly get to do this?""Not me," Bree insisted. "I'm engaged, and I've got to be able to take all the pictures. You're married and pregnant," she noted.Amelia ran her hand over her rounded belly. She had just reached twenty-two weeks and found out that she and her husband, Tyler, were having a girl. "Even if I wasn't, I've got to cook for five hundred guests. I'm already in over my head on this one, even with Stella's help."They both turned to look at Natalie, who was frantically making notes in her tablet. "Don't look at me," she said after noticing them watching her. "I'm the wedding planner. I'll be in headset mode keeping this show on track.""There's got to be someone we could ask. A friend?" Gretchen pressed. "You grew up in Nashville, Natalie.Don't you know anyone that wouldn't mind being a movie star's arm candy for a few days?""What about you?" Natalie fired back."What?" Gretchen nearly shrieked in response to the ridiculous question. They'd obviously lost their minds if they thought that was a viable solution. "Me? With Julian Cooper?"Natalie shrugged off her surprise. "And why not? He said they wanted a normal, everyday woman.""Just because he doesn't want a supermodel doesn't mean he wants…/we. I'm hardly normal. I'm short, I'm fat and never mind the fact that I'm horribly awkward with men. I clam up whenever Bree's musician fiancé comes by. Do you really think I can act normal while the hottest star in Hollywood is whispering in my ear?""You're not fat," Amelia chastised. "You're a normal woman. Plenty of guys like their women a little juicy."Juicy? Gretchen rolled her eyes and flopped back into her chair. She was twenty pounds overweight on a petite frame and had been that way since she was in diapers. Her two sisters were willowy and fragile like their ballerina mother, but Gretchen got their father's solid Russian genes, much to her dismay. Her pants size was in the double digits, and she was in a constant state of baking muffin tops. Juicy wasn't the word she would use."You guys can't really be serious about this. Even if I wasn't the last woman on earth that he'd date, you forget I work here, too. I'll be busy.""Not necessarily," Bree countered. "Most of what you do is done in advance."Gretchen frowned. Bree was right, although she didn't want to admit it. The invitations had gone out months ago. The programs and place cards were done. She would need to decorate the night before, but that didn't preclude her from participating in most of the wedding day activities. "I handle a lot of last-minute things, too, you know. It's not like I'm sitting around every Saturday doing my nails.""That's not what I'm implying," Bree said."Even so, it's ridiculous," Gretchen grumbled. "Julian Cooper? Please.""You could use the money, Gretchen."She looked at Amelia and sighed. Yes, Gretchen was broke. They'd all agreed when they started this business that the majority of their profits would go into paying off the mortgage on the facility, so they weren't drawing amazing wages. For Amelia and Bree it didn't matter so much anymore. Bree was engaged to a millionaire record producer, and Amelia was married to a rare jewels dealer. Gretchen was getting by, but there wasn't much left over for life's extras. "Who couldn't?""You could go to Italy," Natalie offered.That made Gretchen groan aloud. They'd found her Achilles' heel without much trouble. She'd had a fantasy of traveling to Italy for years. Since high school. She wanted to spend weeks taking in every detail, every painting of the Renaissance masters. It was a trip well out of her financial reach despite years of trying to save. But Natalie was right. With that cash in her hand she could immediately book a flight and go.Italy. Florence. Venice. Rome.She shook off the thoughts of gelato on the Spanish Steps and tried to face reality. "We're overworked. Things are slower around the holidays, but I don't see a three-week Italian vacation in my future. He could give me a million bucks and I wouldn't be able to take off time for a trip.""We close for a week between Christmas and New Year's. That would cover some of it," Natalie said. "Or you could go later in the spring. If you work ahead with the printing, we can get someone to cover the decorating. What matters is that you'd have the money in hand to go. What can it hurt?""Yeah, Gretchen," Bree chimed in. "It's a lot of money, and for what? Clinging to the hard body of Julian Cooper with a loving look in your eyes? Dancing with him at the reception and maybe kissing him for the cameras?"Gretchen tightened her jaw, choking down another argument, because she knew Bree was right. All she had to do was suck it up for a few days and she could go to Italy. She'd never have another opportunity like this."Besides," Bree added, "how bad can faking it with a sexy movie star really be?"If Ross hadn't been personally responsible for Julian's career success, Julian would throttle him right this second."A date? A fake date? Really, Ross?""I think it will be good for your image."Julian sipped his bottled water and leaned against the arm of the chair in his Nashville hotel suite. "Do I look that pathetic and heartbroken over my breakup with Bridgette?""Of course not," Ross soothed. "I just want to make sure that her management team doesn't outsmart us. She's already been seen out with Paul Watson. If you don't move on fast enough, you'll get painted as lovesick for her.""I don't care," Julian exclaimed. "Despite what everyone thinks, I broke up with Bridgette six months ago. We only went out publicly because you insisted on it.""I didn't insist," Ross protested. "The studio insisted. Your romance was a huge selling point for the film. They couldn't have you two break up before it even came out.""Yeah, yeah," Julian said dismissively. "If I ever even look twice at one of my costars again, you haul me off and remind me of this moment. But now it's done. I'm over Bridgette and I'm way over dating someone just for the cameras."Ross held up his hands. "It won't be like that. I swear. Besides, it's already done. She'll be here to meet you in about five minutes.""Ross!" Julian shouted, rising to his full height to intimidate his short, round manager. "You can't just do stuff like this without my permission.""Yes, I can. It's what you pay me to do. You'll thank me later."Julian pinched the bridge of his nose between his finger and thumb. "Who is it? Some country music singer? Did you import an actress from Hollywood?""No, none of that. They tell me she's one of the employees at the wedding chapel. Just your everyday girl.""Wait. I thought after what happened with that waitress you didn't want me dating 'regular' women. You said they were a bigger security risk than another star with her own career to protect. You said I needed to stick to women that didn't need my money or my fame." Julian had been dealing strictly with high-and-mighty starlets the past few years at Ross's insistence, but now, a regular girl was okay because he said so?"I know, and normally that's the case. That waitress just wanted to dig up dirt on you to make a buck with the tabloids. There are a million women just like her in Hollywood. But in this scenario I think it's a smart choice. Women in Nashville are different, and it's an unexpected move. Your female fans will like it, of course, and so will the studios. I've been trying to get you a role as a true romantic lead. This could do it."Julian didn't really want to be a romantic lead. At least not by Ross's definition. His manager's idea of a romantic film was one where the sexy blonde clings to his half-naked body while he shoots the bad guys. He'd already played that role again and again. When he'd pushed Ross on the topic a second time, he got Julian the "romantic" lead in a movie about male strippers. Not exactly hard-hitting, award-winning stuff. Hell, he'd be thrilled to just do a light romantic comedy. Something without explosions. Or machine guns. Or G-strings."I should fire you for this," Julian complained as he dropped down into his chair. It was a hollow threat, and they both knew it. Ross had made Julian's career. He might not be creatively fulfilled by big-budget action films, but the money was ridiculous and Julian needed every penny."It will be fine. I promise. It's not a real relationship, so I can break my own rules this once. In a few days, you can go back to Hollywood and date whomever you want."Somehow, Julian doubted that. Since moving to Hollywood, he hadn't had the best track record with the ladies. The waitress had sold the story of their romance to the newspapers with some other juicy tidbits she'd gotten out of him. The dancer was just looking for a guy to pay for her boob job. So many others were after either his money or his leverage to get into show business.Ross encouraged him to date other actresses to reduce that issue, but either way, there was usually some kind of confidentiality contract involved. Even with that in place, he'd learned quickly to keep private things private. He didn't talk about his family, his past…anything that he couldn't bear to see in the papers. An after-the-fact lawsuit wouldn't undo the damage once it was out there.Since his breakup with Bridgette, he hadn't really shown any interest in dating again. It was too damn much work and frankly, just not that fun. How was he supposed to find love when he couldn't even find someone he could trust?Ross got up from his seat and put his drink on the coffee table. "Well, that should do it.""Where are you going?""I'm leaving," Ross said."Leaving? I thought you said my date was on her way over.""She is. That's why I'm leaving. Three's a crowd, after all. You two need to get to know each other."Julian's jaw dropped as he watched his manager slip out of the hotel suite. He should've throttled him. He could get a new manager.With nothing to do but wait, he slumped into his chair and killed time checking his smartphone for missed calls or updates from his family. His mother and brother lived in Louisville, and that was the easiest and most secure way to keep up with them, especially with his brother James's condition. James's attendant usually kept him up to date on how his brother was doing and shared any funny tidbits to make him feel more connected. Today, there were no messages to worry him.About four minutes later, there was a knock at the door to his suite. His new girlfriend was punctual if nothing else.


One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

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1 of 1 people found the following review helpful. Great addition to the series... By Judy One Week with the Best Man is the third book in Andrea Laurence’s Brides to Belles series. I’ve read the first two books in this series and Gretchen’s story is a great addition. Gretchen is part-owner of From This Moment wedding chapel. She is a decorator, consultant and designer. She and her partners enter into an agreement to host the wedding of a music superstar—Murray Evans. His best man, Hollywood heartthrob actor Julian Cooper needs a date for the wedding.From This Moment was presented with a situation. They needed to find someone to attend the wedding with Julian as he’s just experienced a Hollywood style breakup with his ‘girlfriend’. A sizable fee would be paid for this woman to pretend to be with Julian and attend the event’s leading up to the wedding. Gretchen McAlister wanted to go to Italy and this was her only way to earn the money for her trip. She agreed to be Julian’s companion at the wedding.Gretchen is shy and nervous around men. She accepts the challenge, but doesn’t believe Julian will find her the least bit attractive. At first their initial meeting doesn’t go well, but he agrees to the arrangement that his manager made on his behalf.Almost from their first moments together, they both feel an attraction. As they participate in the various events they grow closer together.But when a secret about Julian’s family is divulged, can Julian get over it and move on with Gretchen?I highly recommend One Week with the Best Man. It is a standalone book but the reader would enjoy reading the other books in the series. I’d like to disclose that I received an advance copy of One Week with the Best Man in exchange for a fair and honest review.

0 of 0 people found the following review helpful. What a Love Story! By Tina Book three of Andrea Laurence's Brides & Belles series is an excellent read. I was hooked from page one and couldn't put it down until I finished the entire book in one sitting! I love Gretchen & Julian. Both characters are so easy to identify with. I felt their emotions throughout the entire book. Gretchen is a girl many of us can identify with. She's a beautiful girl who has low self-esteem when it comes to her body image and relationships with men. She's a creative soul who excels at her job as a part-owner of a wedding planning business. Julian is in town for his friend's wedding and his agent has offered $10,000 to someone to pretend to be his girlfriend while he's in town. Gretchen meets with Julian and although he is certain he won't like her, she surprises him with her indifference. He's so used to his normal dates fawning all over him for what he can do for them that he's taken aback by Gretchen. Her shyness intrigues him. They agree to the ploy and set out to do things together so they'll look like an item. Julian quickly decides for them to be believable as a couple, they have to be comfortable around each other and act like a real couple.He sets out to make her comfortable with him. A few kisses later, she decides she really does like to kiss him. Over the course of his time in town, they become close and develop a friendship. They enjoy each other's company and the chemistry just keeps growing. Julian trusts Gretchen so much that he introduces her to his family, including his twin who has a severe health issues. He's never shared that part of his life with his Hollywood crowd and has been able to keep his brother's health from the media. So when the secret gets out, he immediately blames Gretchen. After a heated exchange in which they end things, Julian pays her the $10,000 as agreed upon. A hurt, and miserable Gretchen immediately donates the money to charity.Julian realizes he's also miserable without Gretchen and that he had really fallen for her. As new information comes to light, he is able to find out just how the media found out about his brother. All throughout this part of the book you are rooting for him to find out quickly and go after Gretchen. You're also able to get satisfaction when he sets the troublemaker straight. And finally you're cheering and smiling and laughing as Julian and Gretchen head to their happily ever after.

0 of 0 people found the following review helpful. One Week with the best Man Is the third book in the Andrea Laurence's ... By Katrina One Week with the best Man Is the third book in the Andrea Laurence's Brides and Bells series.I received an advanced copy of this book for a honest review. Although this book can standalone this is a great series and I recommend that you read the first two books. Like all of Andrea Laurence's books this one does not disappoint!This series is about four women who own a wedding business together called "From This Moment" and this is Gretchen's story. Gretchen is an everyday hard working business woman and when it comes to her art and work she is very confident excels in what she does, but when it comes to men she struggles with her self confidence. Gretchen sees herself as unattractive, fat and plain. When she accepts the job to be Hollywood heartthrob Julian Coopers date for a week during a wedding event from his manager without Julian seeing her first, she doesn't believe Julian will happy with his managers choice.When Julian sees Gretchen for the first time he is surprised by her indifference towards him. He can see that she finds him attractive but she isn't bending over backwards to win his attention, in fact she is quite nervous and shy. He finds her uniquely real, unlike the Hollywood starlets that he is use to, who only want to be with him for his fame or fortune. Julian soon realises that if he wants people to believe that they are a real couple he is going to have to get Gretchen to loosen up a bit. She tenses up every time he goes near her and he is surprised that she can't see how beautiful and real she is. He is quite looking forward to giving Gretchen a few acting lessons.There is chemistry from the first encounter. As Julian and Gretchen get to know each other a relationship begins to blossom and Julian finds himself opening up to Gretchen and introducing her to his family that he has thus far managed to keep hidden from the media. It doesn't take long after the introductions for Julian's family to become media fodder though, and Gretchen is the only person who could have possibly leaked things to the press. Julian is so disappointed when he discovers that Gretchen is just like the Hollywood starlets after all.

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One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard

One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard
One Week with the Best Man: Reclaimed by the Rancher (Brides and Belles), by Andrea Laurence, Janice Maynard